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Books A-C Books D-J Books K-P Books R-Z Collections Women In Photography International Archive
A bibliography of books about and by women photographers, created in 2000 by Peter E. Palmquist (1936-2003), the late founder and curator of the Women In Photography Internatinal Archive now housed at the Beinecke Rare Book and Manuscript Library at Yale University.The publications in this collection have been gathered over a twenty-seven-year period. Every title listed has at least a perceived connection with one or more female photographers. Included are autobiographies, biographies, literary works, "how-to" and other technical writings, photojournalism, and fine art publications. A large number are monographs or exhibition catalogues. Some are scarce, and a considerable number of these publications have not been previously identified as works relative to women photographers. This is especially true of female travel writers who also produced the photographs which illustrate their books. All of the books on this list are shelved at the Women in Photography International Archive.
The books are organized alphabetically by photographer, and then chronologically by date of publication. Note that there are two broad divisions to this listing, as follows:
I. Publications centered on single photographers
Books A-C
Books D-J
Books K-P
Books V-Z
II. "Collections" with multiple photographers
Citations should be considered tentative, inasmuch as this is not a critical bibliography and entries have not been edited to a uniform style. Diacritical elements are also not included. Annotations, such as page count, have been rounded off to the nearest signature size. The physical size of the book (vertical measurement), and location indicators are intended for collection management purposes only. In some instances articles have been included, either because they are especially significant or have already been bound as a book. Likewise, some books are actually bound research notes and exist only in this archive.
Eventually, it is hoped that this listing will be winnowed into a comprehensive bibliography of writings by and about women photographers, including books, articles, and other resources such as video tapes and websites.
Finally it should be clearly understood that this bibliography is merely a work in progress. The user should anticipate misspellings, typos, inconsistent and/or incomplete citations, and so on. It is also possible that a few male photographers have been listed in error.
Peter Palmquist, August 2000
The Peter E. Palmquist, Women in Photography International Archive is held at the Beinecke Rare Book and Manuscript Library at Yale University
AARON, CHERYL A. [1946- ]
Laundry: Photographs by Cheryl A. Aaron. London: Printers Inc. Press, 1997. [First edition; foreword by Mike Leigh; paperback, 56 pages, 21 cm., 15/20]
ABALLEA, MARTINE [1950- ]
Martine Aballea: Essai de Retrospective. Limoges, France: Fonds Regional d'Art Contemporain du Limousin, 1990. [Exhibition catalogue; text in French and English; paperback, 72 pages, chronology, 22 cm., 20/35]
ABBE, KATHRYN McLAUGHLIN [1919- ]
Kathryn McLaughlin Abbe and Frances McLaughlin Gill. Twins on Twins. New York: Clarkson Potter, Inc., 1980. [First edition; text by Julie Szekely; research by Victoria B. Bjorklund, Ph.D.; hardback, 192 pages, index, 31 cm., 20/35; 2nd copy autographed by the photographers, 0/75]
Dianora Niccolini. Women of Vision: Photographic Statements by Twenty Women Photographers. Verona, New Jersey: Unicorn Publishing House, 1982. [Includes Kathryn Abbe; first edition; paperback, 128 pages, biographies, 26 cm., 10/25; filed under collections]
ABBOTT, BERENICE [1898-l99l]
Berenice Abbott. The Last Rivet: The Story of Rockefeller Center 1930-1940. New York: Columbia University Press, [1940]. [Photos by Abbott, Bourke-White and others; hardback, 48 pages, 28 cm., 45/85]
Berenice Abbott. A Guide to Better Photography. New York: Crown Publishers, 1941. [First edition; hardback, 182 pages, index, 26 cm., 1/40]
Berenice Abbott. The View Camera Made Simple. Chicago and New York: Ziff-Davis Co., 1948. [Little Technical Library #40; hardback, 124 pages; includes annotation by unknown hand; 17.5 cm., 1/5 (poor condition)]
E. G. Valens. Magnet. Cleveland and New York: The World Publishing Company, 1964. [Photographs by Berenice Abbott; first edition; hardback, 64 pages, 21 cm., 1/10 (poor condition and ex-library)]
Berenice Abbott. The World of Atget: Life and Works, 176 Photographs by Atget. New York: Horizon Press, 1964. [First edition; hardback, 186 pages, 33 cm., 25/75; filed under Atget]
Berenice Abbott: A Portrait of Maine. New York and Ontario: Macmillan Company; and London: Collier-Macmillan, Ltd., 1968. [Text by Chenoweth Hall; First edition; hardback, 176 pages, 27 cm., 10/45]
Berenice Abbott. Photographs. New York: Horizon Press, 1970. [Foreword by Muriel Rukeyser; introduction by David Vestal; paperback, 176 pages, 28 cm., 40/50]
Berenice Abbott. New York in the Thirties. New York: Dover Publications, Inc., 1973. [Reprint of earlier work; paperback, 104 pages, 25 cm., 5/25; oversize]
Anne Tucker. The Woman's Eye. New York: Alfred A. Knopf, 1973. [Includes Berenice Abbott; first edition; paperback. 170 pages, biography, 25 cm., 10/20; filed under collections]
Berenice Abbott. New York: Marlborough Gallery, Inc., and Washington, D. C.: Lunn Gallery/Graphics International Ltd., 1976. [Exhibition catalogue; paperback, 30 pages, 28 cm., 25/40; archive box]
Margaretta K. Mitchell. Recollections of Ten Women of Photography. New York: Viking Press, 1979. [Includes Berenice Abbott; hardback, 208 pages, biographies, 28 cm., 10/50; filed under collections]
Hank O'Neal. Berenice Abbott: American Photographer. New York, St. Louis, San Francisco, Toronto: McGraw Hill Book Company, 1982. [Introduction by John Canaday; commentary by Berenice Abbott; hardback, 256 pages, 36 cm., 60/90; oversize]
Berenice Abbott. New York: Aperture Foundation, 1988. [Aperture Masters of Photography series #9; essay by Julia Van Haaften; paperback, 96 pages, 21 cm., 6/15]
Berenice Abbott Photographer: A Modern Vision. New York: New York Public Library, 1989. [Exhibition catalogue; edited, with introductions and checklist by Julia Van Haaften; first paperback edition, 96 pages, 30 cm., 40/50; oversize]
Peter E. Palmquist. Berenice Abbott (l891-1991): Miscellaneous Notes. [Xerox copies of research notes; hardback, 28 cm., 20/30]
ABELES, KIM [1952- ]
Biennial I. Riverside, CA: California Museum of Photography, 1989. [Includes Kim Abeles; CMP Bulletin, vol. 8, no. 3; exhibition catalogue; first edition; paperback, 52 pages, chronology, 24.5 cm., 5/25; filed under collections]
ABRAMOVIC, MARINA [1946- ]
Foto-Cliche. London and Derry: Victoria Miro, London and Orchard Gallery, Derry, 1986. [Exhibition catalogue; includes Marina Abramovic; paperback, 20 pages, 24.5 cm., 8/20]
"Blow-Up"/Zeitgeschichte. Stuttgart, Germany: Wurtten-bergischer Kunstverein, 1987. [Includes Marina Abramovic; exhibition catalogue; first edition; paperback, 120 pages, 28 cm., 20/50; filed under collections]
ADAMS, MARY W.
Mary T. S. Schaffer. Old Indian Trails of the Canadian Rockies. New York: G. P. Putnam's Sons, 1912. [First edition; "with 100 illustrations from photographs by the author and by Mary W. Adams"; hardback, 364 pages, plus 6 pages of advertisements, index, 20.5 cm., 100/125; filed in archive box under Mary T. S. Schaffer]
ADAMSON, JOY [ -1979]
Joy Adamson. Born Free: A Lioness of Two Worlds. New York: Pantheon Books, 1960. [First edition; photographs by the author and others; hardback, 222 pages, 24.5 cm., 10/25]
Joy Adamson. Living Free: The Story of Elsa and Her Cubs. New York: A Helen and Kurt Wolff Book/ Harcourt, Brace & World, Inc., 1961. [Introduction by Sir Julian Huxley; first edition; photographs by the author and others; hardback, 162 pages, 25 cm., 5/20]
Joy Adamson. Forever Free. New York: A Helen and Kurt Wolff Book/ Harcourt, Brace & World, Inc., 1963. [First American edition; autographed by the author; photographs by the author and others; hardcover, 180 pages, 25 cm., 12/25]
Joy Adamson. The Story of Elsa. New York: A Helen and Kurt Wolff Book/ Pantheon Books and Harcourt, Brace & World, Inc., [1966]. [Hardback, 320 pages, 24 cm., 4/20]
Joy Adamson. The Spotted Sphinx. New York: A Helen and Kurt Wolff Book/ Harcourt, Brace & World, Inc., 1969. [First American edition; photographs by the author and others; hard back, 314 pages, 25 cm., 7/20]
Joy Adamson. Pippa's Challenge. New York: A Helen and Kurt Wolff Book/ Harcourt Brace Jovanovich, Inc., 1972. [First American Edition; hardback, 178 pages, 24 cm., 12/20]
Joy Adamson. The Searching Spirit. New York and London: A Helen and Kurt Wolff Book/ Harcourt Brace Jovanovich, Inc., 1979. [First edition; foreword by Elspeth Huxley; hardback, 244 pages, index, 23 cm., 6/30]
Joy Adamson. Friends from the Forest. New York and London: A Helen and Kurt Wolff Book/ Harcourt Brace Javanovich, Inc., 1981. [First American edition; foreword by Juliette Huxley; hardback, 76 pages, 22 cm., 5/10]
Adrian House. The Great Safari: The Lives of George and Joy Adamson, Famous for Born Free. New York: William Morrow and Company, 1993. [First edition; hardback, 466 pages, index, 24.5 cm., 13/20]
ADES, DAWN [1943- ]
Photomontage. London: Thames & Hudson, 1976. [paperback, 112 pages, 28 cm., 6/35]
Photomontage. New York: Pantheon, 1976. [First American edition; paperback, 112 pages, 28 cm., 10/25]
Photomontage. London: Thames & Hudson, 1986. [Revised and enlarged reprint of 1976 edition; issued in "World of Art" series; paperback, 176 pages, index, 21 cm., 12/20]
ABRAMSON, SUE [1956- ]
Pittsburgh Revealed: Photographs Since 1850. Pittsburgh, Pennsylvania: Carnegie Museum of Art, 1997. [Includes Sue Abrahamson; exhibition catalogue, paperback, 210 pages, biographies, 24 cm., 20/35; filed under catalogues]
AGUILAR, LAURA [1959- ]
Personal Document/Cultural Identity: Essays in Photography. Chico, CA: University Art Gallery, California State University, Chico, 1989. [Includes Laura Aguilar; exhibition catalogue; first edition; paperback, 20 pages, biography, 20 cm., 0/25; filed under California catalogues]
AHRENDT, MARY [1940- ]
Recent Color. San Francisco: San Francisco Museum of Modern Art, 1982. [Includes Mary Ahrendt; exhibition catalogue; paperback, 24 pages, 28 cm., 10/20]
AHUMADA, ALICIA [1956- ]
Between Worlds: Contemporary Mexican Photography. New Amsterdam, NY: Impressions, 1990. [Includes Alicia Ahumada; first edition; paperback, 144 pages, biographies, 25.5 cm., 10/30; filed under collections]
Mexico Indio: Testimonios En Blanco Y Negro/ Fotografias de Alicia Ahumada, Gertrudis Duby, Flor Garduno, Graciela Iterbide, Mariana Yamplosky. Mexico City: InverMexico Grupo Financiero, 1994. [First edition; text in Spanish; essay by Elena Poniatowska; hardback, 192 pages, 31 cm., 95/110; filed under collections]
AISTRUP, INGA
Kobenhavn/Copenhagen. [Denmark]: Host & Sons, 1954. [Text by Henry Hellssen; photographs by Inga Aistrup; text in both Danish and English; paperback, 104 pages, 28 cm., 7/85; oversize]
AKELEY, DELIA J. DENNING (REESE)
"J. T. Jr.": The Biography of An African Monkey. New York: Macmillan, 1928. [First edition; autographed by the author; photographs by the author and her husband; hardback, 252 pages, 20 cm., 20/40]
Dole, Gertrude E. Vignettes of Some Early Members of The Society of Women Geographers in New York. New York: Society of Women Geographers, 1978. [Includes Delia J. Akeley; paperback, 30 pages, 21.5 cm., 0/10]
Elizabeth Fagg Olds. Women of the Four Winds: The Adventures of Four of America's First Women Explorers. Boston: Houghton Mifflin Company, 1985. [Includes Delia J. Akeley; paperback, 318 pages, index, 22.5 cm., 0/15]
AKELEY, MARY LENORE (JOBE) [1878-1966]
Mary L. Jobe Akeley. Restless Jungle. London, Bombay, Sydney: George G. Harrap & Company, 1937. [First edition; photographs by the author and others; hardback, 318 pages, index, 22.5 cm., 15/25]
Mary L. Jobe Akeley. The Wilderness Lives Again: Carl Akeley and the Great Adventure. New York: Dodd, Mead & Company, 1940. [First edition; hardback, 412 pages, index, 22 cm., 2/15; ex-library]
Mary L. Jobe Akeley. Rumble of a Distant Drum: A True Story of the African Hinterland. New York: Dodd, Mead & Company, 1946. [First edition; illustrations by Arthur August Jansson; hardback, 364 pages, 21 cm., 18/25]
Mary L. Jobe Akeley. Congo Eden. New York: Dodd, Mead & Company, 1950. [First edition; photographs by the author and others; frontis illustration is a photograph of the author; hardback, 356 pages, index, 22 cm., 15/35]
Dawn-Starr Crowther. Akeley. Tempe, Arizona: School of Art at Arizona State University, Winter 1989. [History of Photography Monograph Series #24; paperback, 28 pages, 21.5 cm., 5/10; 2nd copy 3/10]
ALDA, ARLENE [1933- ]
Arlene Alda. ABC: A New Way of Seeing. Millbrae, California: Celestial Arts, 1981. [First edition; paperback, 48 pages, 25 cm., 4/20]
Dianora Niccolini. Women of Vision: Photographic Statements by Twenty Women Photographers. Verona, New Jersey: Unicorn Publishing House, 1982. [Includes Arlene Alda; first edition; paperback, 128 pages, biographies, 26 cm., 10/25; filed under collections]
The Last Days of MASH. New Jersey: Unicorn Publishing House, 1983. [Photographs and notes by Arlene Alda; commentary by Alan Alda; paperback, 116 pages, 22 cm., 25/35]
ALEXANDER, SHELAGH
Shifting Focus: An International Exhibition of Contemporary Women's Photography. Bristol and London: Arnolfini Gallery, Bristol; Serpentine Gallery, London, 1989. [Includes Shelagh Alexander; exhibition catalogue; first edition; paperback, 52 pages, biography, 29 cm.; 15/35; filed under collections]
ALEXANDRA, (PRINCESS/ QUEEN) [1844-1925]
Queen Alexandra's Christmas Gift Book: Photographs from my Camera. London: "The Daily Telegraph," 1908. [First edition; frontis portrait of Queen Alexandra; hardback, 76 pages, 29 cm., 175/175 and 20/100; one copy in archive box]
Pamela J. Eisenberg. Alexandra: First Lady of Royal Photography. Tempe, AZ: School of Art at Arizona State University, November 1983. [History of Photography Monograph Series #5, paperback, 16 pages, 21.5 cm., 5/10; 2nd copy 3/10]
ALLAN, PRUDENCE
William S. Stone. Tahiti Landfall. New York: William Morrow & Company, l946. [Illustrated by Prudence Allan and husband; first edition; hardback, 308 pages, 21 cm., 25/25]
[ALLEN, DIANE--Fictitious subject]
Honore Willsie. The Enchanted Canyon: A Novel of the Grand Canyon and the Arizona Desert. New York: Frederick A. Stokes Company, 1921. [10th printing; hardback, 346 pages, 19.5 cm.; 3/35; (Allen is a photographer of Indians and the heroine of the story)]
ALLEN, FRANCES [1854-1941]
Alice Morse Earle. Home Life in Colonial Days. New York: Grosset & Dunlap, 1898. [February 1906 reprint; includes photographs by the "Misses Allen of Deerfield, Massachusetts"; hardback, 470 pages, index, 19 cm., 5/10]
"Frances and Mary Allen of Deerfield, Mass.: Essays and Checklists 1969-1993." [Library compilation of unpublished articles and resources; hardback, 28 cm., 10/30]
ALLEN, MARIETTE PATHY [1940- ]
Mariette Pathy Allen. Transformations: Crossdressers and Those Who Love Them. New York: E. P. Dutton, 1989. [First edition; hardback, 176 pages, 31 cm., 35/40; oversize]
ALLEN, MARY [1858-1941]
Alice Morse Earle. Home Life in Colonial Days. New York: Grosset & Dunlap, 1898. [February 1906 reprint; includes photographs by the "Misses Allen of Deerfield, Massachusetts"; hardback, 470 pages, index, 19 cm., 5/10; filed under Frances Allen]
"Frances and Mary Allen of Deerfield, Mass.: Essays and Check-lists 1969-1993." [Library compilation of unpublished articles and resources; hardback, 28 cm., 10/30; filed under Frances Allen]
ALMOND, JOAN
Joan Almond: The Past in the Present. Santa Monica: Gallery of Contemporary Photography/ Bergamot Station Arts Center, 1997. [Exhibition catalogue; first edition; paperback, 32 pages, 22.5 cm., 20/25]
ALPERN, MERRY [1955- ]
Merry Alpern: Dirty Windows. Zurich, Berlin, New York: Scalo, 1995. [First Scalo edition; signed by the photographer; hardback, 112 pages, 29 cm., 34/40]
ALVAREZ BRAVO, LOLA [1907-1993]
Francisco Tario and Lola Alvarez-Bravo. Acapulco En El Sueno. Mexico City: Nuevo Mundo, 1951. [First edition; text in Spanish; hardback; 142 pages, 30 cm., 100/150]
Companeras de Mexico: Women Photograph Women. Riverside, CA: University Art Gallery, University of California, 1990. [Exhibition catalogue; first edition; essays by Amy Conger and Elena Poniatowska; text in English and Spanish; photographs by Lola Alvarez Bravo and others; paperback, 80 pages, biographies, 28 cm., 10.25; filed under collections]
The Frida Kahlo Photographs. Dallas, Texas: Solomon Grimberg and the Society of Friends of the Mexican Culture, 1991. [Exhibition catalogue; introduction and interview by Solomon Grimberg; paperback, 118 pages, 24 cm., 12/20]
Lola Alvarez Bravo: Fotografias Selectas 1934-1985. Mexico City: Fundacion Cultural Televisa, 1992. [Exhibition catalogue; text in Spanish; paperback, 450 pages, chronology and checklist, 29 cm., 45/85]
Oliver Debroise. Lola Alvarez Bravo: In Her Own Light. Tucson: Center for Creative Photography, University of Arizona, 1994. [The Archive #31; preface by Terence Pitts; introduction by Trudy Wilner Stack; paperback, 88 pages, 28 cm., 17/25]
ALVAREZ URBAJTEL, COLETTE [1934- ]
Terence Pitts. Contemporary Photography in Mexico: 9 Photographers. Tucson: Center for Creative Photography, University of Arizona, 1978. [Exhibition catalogue; Includes Colette Alvarez Urbajtel; paperback, 20 pages, chronologies, 28 cm., 3/25]
AMBROGI, PATRICIA [1950- ]
"Patti Ambrogi," Contact Sheet 73 [c.1992], pp. 14-18. [Archive box]
ANDERSON, ERICA [1914-1976]
Erica Anderson. The World of Albert Schweitzer: A Book of Photographs. New York: Harper & Brothers, 1955. [First edition; text and captions by Eugene Exman; "picture editing and book design by Barbara Morgan"; hardback, 144 pages, 28 cm., 25/50)
The Schweitzer Album: A Portrait in Words and Pictures by Erica Anderson. New York: Harper & Row, and London: Adam and Charles Black, 1965. [First edition; additional text by Albert Schweitzer; hardback, 176 pages, 29 cm., 4/50]
Ann Atwood and Erica Anderson. For all that Lives. New York: Charles Scribner's Sons, 1975. ["With the words of Albert Schweitzer"; photographs by Ann Atwood and Erica Anderson; hardback, 32 pages, 20.5 cm., 5/15]
ANDERSON, MARILYN [1937- ]
Marilyn Anderson and Jonathan Garlock. Granddaughters of Corn: Portraits of Guatemalan Women. Willimantic, CT: Curbstone Press, 1988. [Paperback; photographs by Marilyn Anderson, paperback, 128 pages, 25 cm., 8/20]
ANDERSON, NOREEN [c.1954- ]
Steven Emmons and Noreen Anderson. Images. [n.p.]: published by the authors, 1974. [First edition; photographs by Steven Emmons and Noreen Anderson; short story by Noreen Anderson; poetry by Mary Alwell, Sandy Klein, and Noreen Anderson; paperback, 60 pages, 17.5 cm., 1/25]
ANDRADE, YOLANDA [1950- ]
Yolanda Andrade: Los Velos Transparentes, Las Transparencias Veladas. Villahermosa: Gobierno Del Estado De Tabasco, 1988. [Edition limited to 1000; text in Spanish; paperback, 76 pages, 26 cm., 35/40]
Between Worlds: Contemporary Mexican Photography. New Amsterdam, NY: Impressions, 1990. [Includes Yolanda Andrade; first edition; paperback, 144 pages, biographies, 25.5 cm., 10/30; filed under collections]
ANDREWS, NANCY [1963- ]
Nancy Andrews. Family: A Portrait of Gay and Lesbian America. San Francisco: Harper San Francisco/ Harper Collins, 1994. [Paperback, 152 pages, 26 cm., 25/25]
ANDRIESSE, EMMY [1914-1953]
Amsterdam in de Vier Jaargetijden. Amsterdam en Antwerpen: Uitgeverij Contact, [c.1950?]. [First edition; text by Han G. Hoekstra; text in Dutch; photographs by Emmy Andriesse and Cas Oorthuys; hardback, 72 pages, 31 cm., 75/135]
The World of Van Gogh. Basel and New York: Holbein publishing Company, 1953. [First edition; text in Dutch, French and English; photographs by Emmy Andriesse; hardback, 152 pages, 31 cm., 25/100]
Emmy Andriesse. Amsterdam, The Netherlands: Focus Publishing, 1995. [Monographs on Dutch Photographers #4; text in Dutch and English; first edition; hardback, 136 pages, 33 cm., 65/75; oversize]
ANDUJAR, CLAUDIA [1931- ]
Erika Billeter. Fotografie lateinamerika: Von 1860 Bis Heute. Bern, Switzerland, Benteli Verlag, 1981. [Exhibition catalogue; includes Claudia Andujar; first edition; text in German; hardback, 416 pages, biographies, 22 cm., 65/100; filed under Latin America]
ANGEL, ADRIANA [1955- ]
Adriana Angel and Fiona Macintosh. The Tiger's Milk: Women of Nicaragua. New York: Seaver Books, 1987. [First American edition; introduction by Hermione Harris; photographs by both authors; hardback, 144 pages, 22 cm., 7/25]
ANGEL, HEATHER [1941- ]
Heather Angel. Photographing Nature: Fungi. Hertfordshire, England: Fountain Press/Argus Books, 1975. [Paperback, 96 pages, index, 18 cm., 4/10]
Heather Angel. Photographing Nature: Insects. Hertfordshire, England: Fountain Press/Argus Books, 1975. [Paperback, 96 pages, index, 18 cm., 2/10]
Heather Angel. Photographing Nature: Seashore. Hertfordshire, England: Fountain Press/Argus Books, 1975. [Paperback, 96 pages, index, 18 cm., 2/10]
Heather Angel. Nature Photography: Its Art and Techniques. Watford, Herts, England: Fountain Press, 1979. [Revision of 1972 edition; hardback, 224 pages, index, 25 cm., 10/25]
ANGELL, M. CATHY
M. Cathy Angell. My Spirit Flies: Portraits and Prose of Women in Their Power.
Bellingham, Washington: Bay City Press, 1997. [Paperback, 96 pages, 24 cm., 15/20]
ANTHONY, ANNE J.
Anne J. Anthony. Negative and Print Retouching for Amateur and Professional. New York: Greenberg, 1950. [Hardback, 140 pages, 26.5 cm., 12/35; filed with retouching publications]
ANTIN, ELEANOR [1935- ]
Eleanor Antin. 100 Boots. Philadelphia: Running Press, 1998. [Hardback, 112 pages, 16 cm., 15/20]
APFELBAUM, SALLY
Seeking the Sublime: Neo-Romanticism in Landscape Photography/ Sally Apfelbaum/Barbara Ess/Nancy Goldring/Sandra Haber/Lorie Novak/Jan Staller. Daytona Beach, FL: Southeast Museum of Photography, Daytona Beach Community College, 1995. [Exhibition catalogue; first edition; paperback, 24 pages, 21.5 cm., 12/25; filed under collections]
APPLE, JACKI
Jacki Apple. Trunk Pieces. New York: Visual Studies Workshop, 1978. [First edition; autographed by the author; #30 of 100 hardbound copies; 48 pages, 30.5 cm., 40/100]
APPLEGATE, MEIDEL
Meidel Applegate (ed.). Photographing the Fair: Your Guide for Successful Picture Taking at the Fair in Forty. Berkeley: The Camera Shop, c.1940. [First edition; paperback, 16 pages, 18.5 cm., 3/15]
ARBER, CAROLINE
Women on Women: Twelve Photographic Portfolios. New York: A & W Publishers, 1978. [Includes Caroline Arber; hardback, 162 pages, 30 cm., 23/75; filed under collections]
ARBOLEDA, CECILIA
Latino America: Photographs by Cecilia Arboleda. Daytona Beach, Florida: Southeast Museum of Photography/ Daytona Beach Community College, 1993. [Exhibition catalogue; first edition; paperback, 16 pages, 21.5 cm., 3/15]
ARBUS, DIANE (NEMEROV) [1923-1971]
Diane Arbus: An Aperture Monograph. New York: Aperture and The Museum of Modern Art, 1972. [Published in connection with the Diane Arbus exhibition at the Museum of Modern Art; second printing; editing and design by Doon Arbus and Marvin Israel; hardback, 172 pages, 28.5 cm., 20/75]
Anne Tucker. The Woman's Eye. New York: Alfred A. Knopf, 1973. [Includes Diane Arbus; first edition; paperback, 170 pages, biography, 25 cm., 10/20; filed under collections]
Robert B. Stevens. "The Diane Arbus Bibliography", Exposure, vol. 15, no. 3 (September 1977), pp. 10-19. [2/10]
Patricia Bosworth. Diane Arbus: A Biography. New York: Alfred A. Knopf, 1984. [Second printing; hardback, 372 pages, index, 24.5 cm., 8/25]
Diane Arbus: Magazine Work. New York: Aperture, 1984. [Photographs and text by Diane Arbus; editing and design by Doon Arbus and Marvin Israel; essay by Thomas W. Southall; paperback, 176 pages, 28 cm., 12/25]
Untitled: Diane Arbus. New York: Aperture, 1995. [Photographs by Diane Arbus; afterword by Doon Arbus; first edition; hardback, 112 pages, 36 cm., 27/50; oversize]
ARMER, LAURA ADAMS [1874-1963]
(Judge) Theodore E. Jones. Leaves From an Argonaut's Note-book. San Francisco: The Whitaker and Ray Company, 1905. [First edition; seven illustrations by Armer; hardback, 304 pages, 19 cm., 145/225; archive box]
Laura Adams Armer. Waterless Mountain. New York and Toronto: Longmans, Green & Company, 1931. [(Three copies); illustrated by Sidney Armer and Laura Armer; all hardback, 212 pages, 23.5 cm.: (1) November 1931 reprint, 10/50; (2) April 1932 reprint, autographed by Laura Armer, 8/50; and (3) January 1950 reprint, autographed by both Sidney and Laura Armer, 35/50; also 1946 imprint, autographed; this copy on loan to the Whitney Museum; item #1 in archive box]
Laura Adams Armer. Dark Circle of Branches. New York and Toronto: Longmans, Green & Company, 1933. [(Three copies); illustrated by Sidney Armer; all hardback, 212 pages, 23 cm.: (1) first edition, 20/50; (2) first edition, signed by Laura Armer, 35/50; and (3) September 1933 reprint, 8/35; item #2 in archive box]
Laura Adams Armer. Cactus. New York: Frederick Stokes, 1934. [First edition; illustrations by Sidney Armer; hardback, 102 pages, 21 cm., 38/45]
Laura Adams Armer. Southwest. London, New York & Toronto: Longmans, Green & Company, 1935. [(Three copies); illustrated by Laura Armer; all hardback, 224 pages, 21.5 cm.; (1) first edition, 28/50; (2) first edition, autographed by Laura Armer and a tipped-in image of Armer, 30/75; and (3) first edition, 15/50; item #2 in archive box]
Laura Adams Armer. The Trader's Children. New York and Toronto: Longmans, Green & Company, 1937. [First edition; "illustrations from photographs by the author [and] decorations by Sidney Armer"; 242 pages, 23 cm., 7/50; poor condition; example of a scarce work]
Laura Adams Armer. The Forest Pool. New York and Toronto: Longmans, Green & Co., 1938. [First edition; "Story and pictures by Laura Adams Armer"; hardback, 40 pages, 26 cm., 80/85; archive box]
Laura Adams Armer. Farthest West. New York and Toronto: Longmans, Green & Company, 1939. [(Two copies); illustrated by Sidney Armer; all hardback, 190 pages, 23 cm.; (1) first edition; autographed by Laura Armer, 18/50; and (2) first edition; autographed by "Miss Gunterman" Laura Adams' editor at Longman, Green & Company, 5/50; item #1 in archive box]
Elizabeth Howard Atkins. Little Wolf's Brother: A Story of the California Indians. Philadelphia and New York: J. B. Lippincott Company, 1939. [Foreword by Laura Adams Armer; Fourth printing; hardback, 196 pages, 20 cm., 10/15]
Laura Adams Armer. In Navajo Land. New York: David McKay Company, 1962. [First edition; illustrated with "photographs by the author and Sidney and Austin Armer"; hardback, 108 pages, 23 cm., 30/50]
Laverne Mau Dicker. "Laura Adams Armer, California Photographer," California Historical Quarterley, vol. 56, no. 2 (Summer 1977), pp. 128-137.
Alberta Armer. Working Hands. Published by the author, 1981. [Xerox copy of original book only; hardback, 28.5 cm.; 20/30]
Eugene L. Conrotto. Armer: Last Letters. [Master's thesis, California State University, Stanislaus, April 1978; xerox copy only; hardback, 28 cm.; 30/30]
Peter E. Palmquist. Laura Adams Armer: Correspondence 1924- 1951. [Unpublished letters compiled by the author; xerox copies only; hardback, 28 cm.; 30/30]
Peter E. Palmquist. Laura Adams Armer: Photographs at the Wheelwright Museum, Santa Fe, New Mexico. [Xerox copies only; hardback, 28 cm.; 20/30]
ARNOLD, EVE (COHEN) [1913- ]
Eve Arnold. The Unretouched Woman. New York: Alfred A. Knopf, 1976. [First edition; hardback, 200 pages, 29.5 cm., 10/40]
Eve Arnold. Flashback!: The 50's. New York: Alfred A. Knopf, 1978. [Hardback, 152 pages, 26.5 cm., 10/30]
Eve Arnold. In China. New York: Alfred A. Knopf, 1980. [Hardback, 204 pages, 30 cm., 18/50; oversize]
Eve Arnold. In America. New York: Alfred A. Knopf, 1983. [Hardback, 208 pages, 30 cm., 8/40; oversize]
Eve Arnold All in a Day's Work. New York, Toronto, London, Sydney, Auckland: Bantam Books, 1989. [Hardback, 166 pages, 28 cm., 10/30]
Eve Arnold. Marilyn Monroe: An Appreciation. New York: Alfred A. Knopf, 1987. [Hardback, 144 pages, 29 cm., 10/30]
Eve Arnold. The Great British. New York: Alfred A. Knopf, 1991. [Hardback, 138 pages, 29 cm., 10/30]
Eve Arnold. Eve Arnold: In Retrospect. New York: Knopf, 1995. [First edition; hardback, 290 pages, 28 cm., 25/40]
ARNOW, JAN [1947- ]
Jan Arnow. Handbook of Alternative Photographic Processes. New York, Cincinnati, Toronto, London, Melbourne: Van Nostrand Reinhold Company, 1982. [Hardback, 238 pages, index, 29 cm., 7/45]
Photography for Collectors/ Volume 2: The Midwest. [n.p.: Michigan State University, c.1984]. [Catalogue; includes Jan Arnow; paperback, biographies, 96 pages, 22 cm., 0/25; filed under collections]
ATKESON, MIRA [ -1976]
The World of Mira Atkeson. Seattle: Charles H. Belding/ Graphic Arts Center Publishing Company, 1977. [First edition; introduction by Ray Atkeson; hardback, 120 pages, 25 cm., 15/40]
ATKINS, ANNA [1799-1871]
Anna Atkins. Sun Gardens: Victorian Photograms. New York: Hans P. Kraus, Jr./ Aperture, Inc., 1985. [Text by Larry J. Schaaf; organized by Hans P. Kraus, Jr.; hardback, 104 pages, index, 31 cm., 30/65]
ATWOOD, ANN
Ann Atwood. New Moon Cove. New York: Charles Scribner's Sons, 1969. [Autographed by the author; hardback, 32 pages, 26 cm., 10/40]
Ann Atwood. The Kingdom of the Forest. New York: Charles Scribner's Sons, 1972. [Photographs by Ann Atwood; hardback, 32 pages, 25.5 cm., 5/25]
Ann Atwood and Erica Anderson. For All that Lives. New York; Charles Scribner's Sons, 1975. ["With the Words of Albert Schweitzer"; photographs by Ann Atwood and Erica Anderson; hardback, 32 pages, 20.5 cm., 5/15; filed under Erica Anderson]
AU, ANITA [c.1953- ]
Anita Au. "Dalu Ren": Photography by Anita Au. [China?]: Art Promotion Company, [c.1980s]. [Paperback, 72 pages, 28.5 cm., 5/40]
AUERBACH, ELLEN [1906- ]
Ellen Auerback: Berlin-Tel Aviv-London-New York. Munich and New York: Prestel, 1998. [First edition; text in German and English; hardback, 104 pages, chronology and exhibition listings, 30 cm., 45/50]
Mexican Churches: Eliot Porter & Ellen Auerbach. Albuquerque: University of New Mexico Press, 1988. [Second printing of 1987 edition; essay by Donna Pierce; hardback, 116 pages, 27 cm., 35/35]
Mexican Celebrations: Eliot Porter and Ellen Auerback. Albuquerque: University of New Mexico Press, 1990. [First edition; essays by Donna Pierce and Marsha C. Bol; hardback, 116 pages, 27.5 cm., 10/30]
Carole Naggar and Fred Ritchen, (eds.). Mexico Through Foreign Eyes 1850-1990. New York and London: W. W. Norton & Company, 1996. [Includes Ellen Auerbach; exhibitition catalogue; paperback, 320 pages, biographies, 30.5 cm., 35/40; filed under collections]
AUERBACHER, DOMINIQUE [1955- ]
Dominique Auerbacher/ Paysages Sur Catalogue. Brussels and Paris: Arp Editions, Brussels/ Hazan, Paris, 1998. [First edition limited to 1600 copies; hardback, 244 pages, 24 cm., 60/60]
AUSTEN, ALICE [1866-1952]
Ann Novotny. Alice's World, The Life and Photography of an American Original: Alice Austen, 1866-1952. Old Greenwich, CT: The Chatham Press, 1976. [Preface by Oliver Jensen; autographed by the author; hardback, 222 pages, 31 cm., 23/70]
AUSTRIA, MARIA (OESTREICHER) [1915-1975]
Maria Austria. Amsterdam: 1976. [First edition; text in Dutch and English; paperback, 152 pages, 28 cm., 6/50]
AYER, EMMA AUGUSTA BURBANK
Emma Burbank Ayer. A Motor Flight Through Algeria and Tunisia. Chicago: A. C. McClurg & Company, 1911. [Second edition; "photographs by the author"; hardback, 446 pages, index, 22 cm., 10/50]
AYERS, KATHARINE S.
Katharine S. Ayers. Highways and Byways of Europe. Montclair, NJ: published by the author, 1935. [First edition; tipped-in vintage photographs by the author; hardback, 168 pages, 22.5 cm., 100/135; archive box]
BAILEY, BERNADINE
Bernadine Bailey. Little Greta of Denmark. New York: Grosset & Dunlap, 1939. [Photographs by the author; hardback, 190 pages, 22 cm., 17/25]
BAKER, KRYSTYNA
Krystyna Baker. Masks. Lubbock, Texas: Texas Tech Press, 1981. [First edition; foreword by A. D. Coleman; paperback, 172 pages, 27 cm., 9/50]
BAKER, SANDRA
The Work of Our Hands: Photographs of a Resurgent Bronx by Sandra Baker. Bronx, New York: Bronx Museum of the Arts, 1984. [Exhibition catalogue; first edition; text in Spanish and English; paperback, 88 pages, 21.5 cm., 15/35]
BALDWIN, CAROL [ -1972]
Linn Underhill, (ed.) The Buses Roll. New York: W. W. Norton & Company, 1974. [First edition; text by Robert Coles; preface by Erik H. Erikson; photographs by Carol Baldwin and Peter T. Whitney; hardback, 112 pages, 21 cm., 5/20]
BALDWIN, MAUD [1878-1926]
Henry J. Drew. Maud Baldwin - Photographer. Klamath Falls, Oregon: Klamath County Museum, 1980. [2 copies; 144 pages, collection index and bibliography, 28.5 cm.: 1) limited edition hardcover, 35/95; and 2) softcover, 20/50]
BAMA, LYNNE [1943- ]
"Lynne Bama," Camera [Switzerland], vol. 52, no. 3 (March 1973), cover and pp. 42-46. [Archive box]
BANCROFT, MARIAN PENNER [1947- ]
13 Cameras/Vancouver. Vancouver, B.C.: 13 Cameras, 1979. [Includes Marian Penner Bancroft; First edition published in 1,300 copies; paperback, 184 pages, 30 cm., 15/75; filed
under collections]
BANISH, ROSLYN [1942- ]
Roslyn Banish. City Families: Chicago and London. New York: Pantheon Books, 1976. [First edition; paperback, 182 pages, 23 cm., 6/20]
Roslyn Banish. I Want to Tell You About My Baby. Berkeley, CA: Wingbow Press, 1982. [First edition; paperback, 56 pages, 25 cm., 3/15]
BANKHEAD, JUDY [1951- ]
Judy Bankhead. My Town: Photographs of Tyler, Texas. Tyler, Texas: Tyler Museum of Art, 1981. [Exhibition catalogue; first edition; paperback, 120 pages, 21.5 cm., 5/45]
BANNAN, JAN GUMPRECHT
Jan Gumprecht Bannan. Sand Dunes. Minneapolis, Minn.: Carolrhoda Books (a Carolrhoda Earth Watch Book), 1989. [Paperback, 48 pages, glossary and index, 23 cm., 2/20]
BANNISTER, CONSTANCE [1919- ]
Constance Bannister. "Senator, I'm Glad You Asked Me That!" New York: American Binder Company, 1952. [First edition; paperback, 64 pages, 20.5 cm., 5/35]
Constance Bannister. It's a Riot to Diet. New York: Essandess Special Editions, 1965. [3rd printing; paperback, 72 pages, 23 cm., 2/20. Author described as the "World's most famous baby photographer."]
BARING-GOULD, EDITH M. E.
Edith M. E. Baring-Gould. With Note-book and Camera: A Winter Journey in Foreign Lands. London: Church Missionary Society, Salisbury Square, E. C., 1901. [First edition; preface by Sir W. Mackworth Young, K.C.S.I.; hardback, 104 pages, 21 cm., 125/200; located in archive box]
BARNETT, DOROTHY POTTER [1938- ]
Photography for Collectors/ Volume 2: The Midwest. [n.p.: Michigan State University, c.1984]. [Catalogue; includes Dorothy Potter Barnett; paperback, biographies, 96 pages, 22 cm., 0/25; filed under collections]
BARNEY, TINA [1945- ]
Friends and Relations: Photographs by Tina Barney. Washington and London: Smithsonian Press in association with Constance Sullivan Editions, 1991. [Photographers at work series; first edition; paperback, 60 pages, 25 cm., 5/15]
Swimming. New York: Library Fellows of the Whitney Museum of American Art, 1991. [Boxed first edition; text by Tina Howe and tipped-in color photographs by Tina Barney; signed on the colophon page by the authors; hardback, 48 pages, 33 cm., 0/1,200; archive box]
BARON, JOAN
Joan Baron. Cats Are Like That. New York: Harper & Row, 1984. [First edition; paperback, 128 pages, 21.5 cm., 5/15]
BARONIO, JOYCE [1947- ]
Joyce Baronio/ 42nd Street Studio. Munchen, Germany: Rogner & Bernhard & Company, 1980. [First edition; text in German; hardback, 88 pages, 38 cm., 65/125; oversize]
BARRAT, MARTINE [1937- ]
Martine Barrat. "Do Or Die . . . We Do, We Don't Die." New York: Viking, 1993. [First published by Viking Penguin in 1991; foreword by Martin Scorsese; hardback, 168 pages, 27 cm., 27/40]
BARRON, SUSAN [1947- ]
"Susan Barron," Camera [Switzerland], vol. 53, no. 3 (March 1973), pp. 26-33. [Archive box; filed under Lynne Bama]
"Susan Barron: Beyond Collage," Aperture 91 (1983), pp. 56-59. [6/20; archive box]
BARTH, UTA [1958- ]
Uta Barth. Los Angeles: Museum of Contemporary Art, 1995. [Exhibition catalogue; First edition; paperback, 56 pages, 25.5 cm., 26/35]
Uta Barth. Nowhere Near. Los Angeles and New York: ACME/ Bonakdar Jancou Gallery, 1999. [Exhibition catalogue; first edition; paperback, 56 pages, 23.5 cm., 25/30]
BARTLETT, (MRS. MARY A.) N. GRAY
Old Friends with New Faces. Boston: Joseph Knight Company, 1892. [First edition; photograhs on tissue by Mrs. N. Gray Bartlett; hardback, 20 page, 24 cm., 300/500; archive box]
Mother Goose of '93. Boston: Joseph Knight Company, 1893. [First edition; photographs on tissue by Mrs. N. Gray Bartlett; hardback, 16 pages, 24 cm., 300/500; archive box]
A Girl I Know. Boston: Joseph Knight Company, 1894. [First edition; "lines by" Marion L. Wyatt and photographs by Mrs. N. Gray Bartlett; hardback, 24 pages, 25 cm., 95/300 archive box]
BARTON, EMMA [1872-1938]
Sunlight and Shadow: The Photographs of Emma Barton 1872-1938. Birmingham, England: Birmingham Museums and Art Gallery, 1995. [Exhibition catalogue; edited by Peter James, Tessa Sidey and John Taylor; paperback, 102 pages, catalogue of works and selected bibliography, 25.5 cm., 20/35]
BARUCH, RUTH-MARION [1922-1997]
Ruth-Marion Baruch and Pirkle Jones. The Vanguard: A Photo-graphic Essay on the Black Panthers. Boston: Beacon Press, 1970. [Introduction by William Worthy; photographs by both Ruth-Marion Baruch and Pirkle Jones; signed by Pirkle Jones; paperback, 124 pages, 25.5 cm., 10/35]
Photography for Collectors/ Volume 1: The West. [n.p.: various galleries "west of the Mississippi," c.1980]. [Catalogue; includes Ruth-Marion Baruch; paperback, biographies, 116 pages, 27 cm., 9/25; filed under collections]
BASS, PINKY/MM [1936- ]
Tangle of Complexes: Photographing in Mexico. Birmingham, Alabama: Space One Eleven, 1996. [Includes Pinky/MM Bass; exhibition catalogue; text in English and Spanish; first edition; paperback, 24 pages, 28 cm., 0/20]
BASSMAN, LILLIAN [1917- ]
Lillian Bassman. Boston, New York, Toronto, London: Little, Brown and Company, 1997. [First edition; edited by Catherine Chermayeff, Kathy McCarver Mnuchin, and Nan Richardson with essay by Martin Harrison; hardback, 96 pages, chronology, 33.5 cm., 40/65; oversize]
BAYLY, JANET [1955- ]
Six Women Photographers. Auckland, New Zealand: PhotoForum, Inc., 1987. [Includes Janet Bayly; Photoforum New Zealand #56; paperback, 60 pages, biographies, 20 cm., 0/35; filed under collections]
BEALS, JESSIE TARBOX [1870-1942]
Alexander Alland, Sr. Jessie Tarbox Beals: First Woman News Photographer. New York: Camera/Graphic Press Ltd., 1978. [First edition; hardback, 292 pages, 25 cm., 25/65]
BEARD, JOAN
Family: A Celebration. Princeton, NJ: Peterson's, 1995. [First edition; edited by Margaret Campbell; photographs by Joan Beard; hardback, 180 pages, 20.5 cm., 15/25]
BECHER, HILLA [1934- ]
New Topographics: Photographs of a Man-Altered Landscape. Rochester, NY: International Museum of Photography at George Eastman House, 1975. [Exhibition catalogue; includes Hilla Becher; first edition; paperback, 48 pages, biography and bibliography, 22.5 cm., 25/40]
Bernd and Hilla Becher. Framework Houses of the Siegen Industrial Region. Munich: Schirmer/Mosel, 1977. [First edition; hardback, 352 pages, 25 cm., 50/85]
Typologies: Nine Contemporary Photographers. Newport Beach, CA and New York: Newport Harbor Art Museum/Rizzoli, 1991. [Includes Hilla Becher; exhibition catalogue; first edition; hardback, 136 pages, 28.5 cm., 8/25; filed under collections]
Bernd and Hilla Becher. Gas Tanks. Cambridge and London: MIT Press, 1993. [Originally published in Germany under the title Gasbehalter; hardback, 102 pages, 29 cm., 55/85; oversize]
Pittsburgh Revealed: Photographs Since 1850. Pittsburgh, Pennsylvania: Carnegie Museum of Art, 1997. [Includes Hilla Becher; exhibition catalogue, paperback, 210 pages, biographies, 24 cm., 20/35; filed under collections]
Bernd and Hilla Becher. Basic Forms. New York: Te Neues Publishing Company, 1999. [Hardback, 160 pages, chronology, 21 cm., 20/30]
BECKER, KARIN E. [1946- ]
Richard P. Horwitz. The Strip: An American Place. Lincoln and London: University of Nebraska Press, 1985. [Paperback, 188 pages, 21 cm., 8/15]
BECKWITH, CAROL [1945- ]
Carol Beckwith and Marion Van Offelen. Nomads of Niger. New York: Abradale Press/ Harry N. Abrams, 1993. [Previously published in 1984; photographs by Carol Beckwith; hardback, 124 pages, 33 cm., 10/40; oversize]
BEDELL, MARY CREHORE [1870- ]
Mary Crehore Bedell. Modern Gypsies: The Story of a Twelve Thousand Mile Motor Camping Trip Encircling the United States. New York: Brentano, 1924. [First edition; autographed by the author; photographs by the author; hardback, 262 pages, 19.5 cm., 35/50]
BEEBE, MINDY
Mindy Beede. Dye Transfer Made Easy: Color Printing for Permanence. New York: Amphoto, 1981. [First edition; paperback, 160 pages, index, 28 cm., 5/15]
BEEDELL, SUZANNE MOLLIE
Suzanne Beedell. The Amateur Guide to Leisuretime Photography. Edinburgh: John Bartholomew and Son, Ltd., 1975. [Hardback, 106 pages, 21 cm., 3/15]
BEESTON, DIANE
Diane Beeston. Of Wind, Fog and Sail: Sailing on San Francisco Bay. San Francisco: Chronicle Books, 1972. [First edition; hardback, 160 pages, index, 25 cm., 20/65; oversize]
BELJON, SHIRLEY
Women on Women: Twelve Photographic Portfolios. New York: A & W Publishers, 1978. [Includes Shirley Beljon; hardback, 162 pages, 30 cm., 23/75; filed under collections]
BELLER, JANET
Janet Beller. Street People. New York: Macmillan Publishing Co., Inc., 1980. [First edition; introduction by Pete Hamill; paperback, 112 pages, 28 cm., 7/20; oversize]
BENEDICT, EDNA [1888-1963]
Diane Galusha with Karen Marshall. Through a Woman's Eye: Pioneering Photographers in Rural Upstate. Hensonville, New York: Black Dome Press Corp., 1994. [Includes Edna Benedict; first edition; paperback, 200 pages, 28 cm., 12/40; filed under collections]
BENEDICT-JONES, LINDA [1947- ]
Women on Women: Twelve Photographic Portfolios. New York: A & W Publishers, 1978. [Includes Linda Benedict-Jones; hardback, 162 pages, 30 cm., 23/75; filed under collections]
BENEDICTO, NAIR [1940- ]
Nair Benedicto. As Melhores Fotos/The Best Photos. San Paulo, Brazil: Sver & Boccato, 1988. [First edition; text in Portuguese and English; boards, 96 pages, 21 cm., 45/85]
BENNETT, EDNA
Edna Bennett. Careers in Photography. New York: Amphoto, 1962. [Second printing; paperback, 128 pages, index, 19.5 cm., 1/5]
Edna Bennett. Nature Photography. New York: Amphoto, 1967. [Third edition (first edition 1962); paperback, 128 pages, index, 19.5 cm., 4/5]
Edna Bennett. Child Photography Simplified. New York: Amphoto, 1964. [Better Photo Guides series; first edition; paperback, 96 pages, 21 cm., 1/5]
Edna Bennett and Rudolf Maschke. How to Sell Your Pictures at a Profit: The Photographer's Marketplace. Hempstead, New York: PTN Publishing Corp., 1971. [Paperback, 92 pages, listings and index, 23 cm., 2/10]
Edna Bennett. Nature Photography Simplified: A Modern Guide. Englewood Cliffs, New Jersey: Prentice Hall, 1975. [Hardback, 96 pages, index, 26 cm., 4/10]
BENNETT, JOAN
Marcia Brownfield, (ed.). Before Dawn: Poems About Growing Up and Other Concerns of 7th & 8th Graders. McKinleyville, CA: McKinleyville School, June 1984. [Photographs by Joan Bennett; paperback, 36 pages. 21.5 cm., 2/10]
BENNETT, MARY ANGELA
Doris Bryant. The Care and Handling of Cats: A Manual for Modern Cat Owners. New York: Ives Washburn, Inc., 1944. [First edition; photographs by Mary Angela Bennett and others; hardback, 212 pages, index, 20 cm., 5/25]
BENRIMO, DOROTHY SCHMALHORST [1903-1977]
Camposantos: A Photographic Essay by Dorothy Benrimo. Fort Worth, TX: Amon Carter Museum, 1966. [First edition; commentary by Rebecca Salsbury James and historical notes by E. Boyd; hardback, 78 pages, 26 cm., 10/20; ex-library]
BEN-YUSUF, ZAIDA
Elizabeth Poulson. Zaida. Tempe, AZ: School of Art at Arizona State University, December 1985. [History of Photography Monograph Series #18; paperback, 16 pages, 21 cm., 5/10]
BERG, NIKI
Sam Bittman and Steven A. Satullo, (eds.). Berkshire: Seasons of Celebrations. Pittsfield, MA: Either/Or Press, 1982. [Includes photographs by Niki Berg; paperback, 112 pages, 26 cm., 4/15]
BERGER, EILEEN [1943- ]
Photography: Made in Philadelphia 5. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1980. [Includes Eileen Berger; exhibition catalogue; first edition; paperback, 32 pages, biography, 20 cm., 3/20; filed under collections]
BERGMANN-MICHEL, ELLA [1896-1972]
Ella Bergmann-Michel. Dusseldorf: Edition Marzona, 1986. [Retrospektive Fotografie no. 7; text in German; paperback, 80 pages, biography, 27 cm., 30/45; oversize]
BERLFEIN, JEAN REISS
Listen to the Children. Washington, D.C.: National Association for the Education of Young Children, 1986. [First edition; photographs by Jean Reiss Berlfein; paperback, 56 pages, 21.5 cm., 3/20]
BERNARD, CINDY [1959- ]
Biennial I. Riverside, CA: California Museum of Photography, University of California, Riverside, 1989. [Includes Cindy Bernard; CMP Bulletin, vol. 8, no. 3; exhibition catalogue; first edition; paperback, 52 pages, chronology, 24.5 cm., 5/25; filed under collections]
Cindy Bernard: Ask the Dust. Santa Monica, CA: Richard Kuhlenschmidt Gallery, [1990?]. [Exhibition catalogue; panel-fold, 6 pages, 26.5 cm., 5/20]
BERNHARD, KERSTIN
Se Did Om i Gladje: Sex Fotografer-Sex Temperament. Stockholm: Fotografiska Museet, 1981. [Exhibition catalogue; text in Swedish; photographs by Kerstin Bernhard and others; first edition; paperback, 80 pages, 10/65; filed under collections]
BERNHARD, RUTH [1905- ]
Melvin Van. The Big Heart. San Francisco, CA.: Fearon, 1957. [First edition; photographs by Ruth Bernhard; hardback, 78 pages, 25.5 cm., 5/40]
James Alinder. Collecting Light: The Photographs of Ruth Bernhard. Carmel: The Friends of Photography, Inc., 1979. [Untitled no. 20; paperback, 56 pages, 25.5 cm., 20/30]
Margaretta K. Mitchell. Recollections: Ten Women of Photography. New York: Viking Press, 1979. [Includes Ruth Bernhard; hardback, 208 pages, biographies, 28 cm., 10/50; filed under collections]
Louise Katzman. Photography in California 1945-1980. New York: Hudson Hills Press, in association with the San Francisco Museum of Modern Art, 1984. [Includes Ruth Bernhard; exhibition catalogue; first edition; paperback, 206 pages, biography, index, 25.5 cm., 13/35; filed under California catalogues]
Steven Carothers and Gail Roberts. Photographer's Dialogue. Boca Raton, Florida: SIRS and Boca Raton Museum of Art, 1989. [Includes Ruth Bernhard; first edition; paperback, 104 pages, biographies, 27 cm., 13/35; filed under collections]
BERNSOHN, DeVERA
Al and DeVera Bernsohn. Developing-Printing-Enlarging. Chicago and New York: Ziff-Davis Publishing Company, 1939. [Little Technical Library #2; first edition; hardback, 96 pages, 17 cm., 2/20]
BERRIDGE, MARY [1964- ]
A Positive Life: Portraits of Women Living with HIV. Philadelphia and London: Running Press, 1997. [First edition; interviews by River Huston and photographs by Mary Berridge; paperback, 120 pages, 23 cm., 0/20]
BERTELSMANN, ELIZABETH [1909- ]
Heinz and Elizabeth Bertelsmann. The Eye of the Beholder: Color Photographs by Heinz & Elizabeth Bertelsmann. New York: Hudson Hills Press, 1981. [First edition; signed by the authors; introduction by John Canaday; hardcover, 128 pages, 26 cm., 30/50]
BERTINETTI, ANGELA (WHITE) [1957- ]
Marcello and Angela Bertinetti. New York. New York: Gallery Books, 1984. [First edition; photographs by both authors; hardback, 124 pages, 32.5 cm., 8/30]
BERTUCCI, LINA
Railroad Voices: Narratives by Linda Nieman/ Photographs by Lina Bertucci. Stanford: Stanford University Press, 1998. [First edition; hardback, 160 pages, 22 cm., 0/35]
BESNYO, EVA [1910- ]
Eva Besnyo: Zeeland Toen. Amsterdam: Drukkerij Mart, 1990. [Text by Jacqueline Louwerse; published in Dutch; paperback, 60 pages, 23 cm., 35/40]
Eva Besnyo: Kinderen 1930-1987. Amsterdam: Stichting Uitgeveri, 1998. [Edition limited to 1,500 copies; text by Eddie Marsman; published in Dutch and English; hardback, 96 pages, 17.5 cm., 35/45]
Eva Besnyo. [The Netherlands]: Focus Publishing, [1999]. [Monographs on Dutch Photographers 9; edition limited to 1500 copies; text in Dutch and English; hardback, 198 pages, 33 cm., 65/75; oversize]
BETTI, ROSANGELA
Rosangela Betti/ Fotografie. Brescia, Italy: Edizioni del Museo Ken Damy, 1990. [First edition; text in Italian; paper- back, 24 pages, 33 cm., 15/45; oversize]
BEYDA, JANET BELDEN [1917- ]
Janet Belden Beyda with Frank Beyda. Chers Amis. New York: Pomerica Press Limited, 1977. [First edition; "photographs and text by Janet Belden Beyda"; introduction by Nicholas Meyer; illustrations consists of anthropomorphic photo-composites (animal and human montages) in full color, and accompanied by narrative statements which are often of the "tongue-in-cheek" variety; hardback, 72 pages, 29 cm., 75/100]
BHIMJI, ZARINA [1963- ]
In/Sight: African Photographers, 1940 to the Present. New York: Solomon R. Guggenheim Museum, 1996. [Exhibition catalogue; includes Zarina Bhimji; hardback, 280 pages, biographies, 30.5 cm., 35/75; filed under Africa]
BIDAUT, JAYNE HINDS [1965- ]
Jayne Hinds Bidaut: Tintypes. New York: Graphis, 1999. [First edition; essay by Eugenia Parry; hardback, 224 pages, 26 cm., 75/100]
[BIEHN, BETTY---Professional photographers model]
The Model: A Portrait of Beauty by Ten Master Photographers. New York: Ridge Press, 1958. [First edition; paperback, 112 pages, 27.5 cm., 1/25]
BIEN, ANIA [1946- ]
Ania Bien. Hotel Polen. Amsterdam: Amsterdam Historisch Museum/ San Francisco Museum of Modern Art (and the author), 1987. [Exhibition catalogue; first edition; paperback, 48 pages, chronology, 29.5 cm., 10/35]
BIERMANN, AENNE (STERNEFELD) [1898-1933]
Aenne Biermann: Photographs 1925-33. London: Dirk Nishen, 1988. [Folkwang series; paperback, 142 pages, catalogue of works, 28 cm., 15/65]
BIJUR, HILDA
Jason the Lobsterman: A Story in Photographs by Hilda Bijur & Nancy Smith. Martha's Vineyard, MA: Tashmoo Press, 1978. [First edition; photographs by Hilda Bijur; autographed by the authors and subject; paperback, 48 pages, 28 cm., 10/45]
BING, ILSE [1899-1998]
Nancy C. Barrett. Ilse Bing: Three Decades of Photography. New Orleans: New Orleans Museum of Art, 1985. [Exhibition Catalogue; paperback, 100 pages, 28 cm., 15/35]
Ilse Bing: Paris 1931-1952. Paris: Musee Carnavalet, 1987. [Exhibition catalogue; text in French; paperback, 108 pages, 24 cm., 20/45]
BINGHAM, HELEN
Helen Bingham. In Tamal Land. San Francisco: Calkins Publishing House, 1906. [First edition; photographs presumed taken by the author; hardback, 142 pages, 23 cm., 65/135]
BIREN, JOAN E.
Eye to Eye: Portraits of Lesbians. Washington, D. C.: Glad Hag Books, 1979. [First edition; foreword by Joan Nestle and introduction by Judith Schwarz; paperback, 80 pages, 28 cm., 6/40]
Making a Way: Lesbians Out Front. Washington, D. C.:Glad Hag Books, 1987. [First edition; foreword by Minnie Bruce Pratt; paperback, 112 pages, 28 cm., 8/35]
Seeing Women: 100 Years of Women's Photography. Trumansburg, New York: The Crossing Press, 1983. [Feminist Series; edited by Joan E. Biren; 1984 calender, 30 pages, 27 cm., 0/20; filed with collections]
Queerly Visible 1971-1991: The Work of JEB (Joan E. Biren) a Washington, D.C. Photographer. Washington, D.C.: Gelman Library Special Collections, George Washington University, 1997. [Exhibition catalogue; paperback, 24 pages, 25.5 cm., 5/15]
BIRNBAUM, DARA [1946- ]
American Landscape Video: The Electric Grove. Pittsburg, PA: The Carnegie Museum of Art, 1988. [Includes Dara Birnbaum; exhibition catalogue; first edition; paperback, 128 pages, chronology, 28 cm., 4/30; filed under collections]
BIRRELL, ELLEN T. [1954- ]
Biennial I. Riverside, CA: California Museum of Photography, University of California, Riverside, 1989. [Includes Ellen T. Birrell; CMP Bulletin, vol. 8, no. 3; exhibition catalogue; first edition; paperback, 52 pages, chronology, 24.5 cm., 5/25; filed under collections]
BISHOP, ISABELLA LUCY ("BIRD") [1831-1904]
Mrs. J. F. Bishop. The Yangtze Valley and Beyond: An Account of Journeys in China, Chiefly in the Province of Sze Chuan and Among the Man-tze of the Somo Territory. New York and London: G. P. Putnam's Sons, New York; John Murray, London, 1901. [2 volumes; first edition; photographs by the author; hardback, 410 pages and 366 pages, index and map; 22.5 cm., 165/250; filed in archive box]
Isabella L. Bird. A Lady's Life in the Rocky Mountains. Norman: University of Oklahoma Press, 1960. [Western Frontier Library edition of 1873 original; hardback, 252 pages, 19.5 cm., 7/15]
Isabella L. Bird. Unbeaten Tracks in Japan. Boston: Beacon Press, 1987. [Reprint of 1880 edition; 1984 introduction by Pat Barr; paperback, 336 pages, 20.5 cm., 6/10]
Anne Gatti. Isabella Bird Bishop/ In Her Own Time. London: Hamish Hamilton, 1988. [First edition; hardback, 64 pages, chronology and index, 21.5 cm., 4/10]
BISILLIAT, MAUREEN [1931- ]
"Maureen Bisilliat," Camera [Switzerland], vol. 52, no. 10 (October 1973), cover and pp. 14-23. [Archive box]
Erika Billeter. Fotografie Lateinamerika: Von 1860 Bis Heute. Bern, Switzerland: Benteli Verlag, 1981. [Exhibition catalogue; includes Maureen Bisilliat; first edition; text in German; hardback, 416 pages, biographies, 22 cm., 65/100; filed under Latin America]
Sertoes Licht & Finsternis: Eine Fotografische Folge von Maureen Bisilliat. St. Gallen, [Germany?]: Edition Dia, 1984. [Re-issue from 1982 Portugese/ Spanish edition; text in German; hardcover, 160 pages, 25 cm., 15/35]
Maureen Bisilliat and Jaao Guimaraes Rosa. Hinterland. St. Gallen/Koln: Edition dia, 1987. [Photographs by Maureen Bisilliat; text in German and Portuguese; hardback, 72 pages, 28.5 cm., 10/50]
BLACK, JUDITH [1945- ]
"Judith Black," Contact Sheet #88 [1996], pp. 5-10. [Filed with Contact Sheet series]
BLACKLOCK, NADINE
Craig and Nadine Blacklock. Photographing Wildflowers: Techniques for the Advanced Amateur and Professional. Minneapolis, MN: Voyageur Press, 1987. [Paperback, 64 pages, index, 28 cm., 6/15]
BLAKEMORE, AMY [1958- ]
Reframing the Past: Recent Work from Texas Women Photographers. Houston, TX: Houston Center for Photography, [c.1993]. [Includes Amy Blakemore; exhibition catalogue; first edition; paperback, 36 pages, 20 cm., 9/20; filed under collections]
BLAUVELT, MELINDA [1949- ]
Washington Photography: Images of the Eighties. Washington, D.C.: Corcoran Gallery of Art, 1982. [Includes Melinda Blauvelt; exhibition catalogue; first edition; paperback, 44 pages, biographies, 25.5 cm., 5/35; filed under collections]
BLOCK, GAY SHLENKER [1942- ]
Gay Block and Malka Drucker. Rescuers: Portraits of Moral Courage in the Holocaust. New York and London: Holmes & Meier, Inc., 1992. [First edition; autographed by Gay Block; prologue by Cynthia Ozick and afterword by Rabbi Harold M. Schulweis; hardback, 256 pages, 28.5 cm., 50/65]
BLOK, DIANA [1952- ]
Diana Blok: Bloodties & Other Bonds. [Holland?]: Uitgeverij Contact, 1990. [Introduction by Elena Poniatowska; paperback, 80 pages, chronology, 27.5 cm., 35/40]
BLOM, GERTRUDE DUBY [1901-1994]
Gertrude Duby. Chiapas Indigena. Mexico City: Universidad Nacional Autonoma de Mexico, 1961. [First edition in 2,000 copies; text in Spanish; hardback, 144 pages, 28 cm., 85/100]
Gertrude Blom: Bearing Witness. Chapel Hill and London: Published for The Center for Documentary Photography, Duke University, by The University of North Carolina Press, 1984. [Edited by Alex Harris, Margaret Sartor and Barry Norris; paperback, 150 pages, catalogue of works, 28 cm., 20/35]
Na Bolom im Zeichen des Jaguar: Gertrude Duby Blom Fotografien 1943-1983 Mexiko. Hamburg, Germany: Rogner & Bernhard, 1990. [In German; paperback, 198 pages, catalogue of works, 28.5 cm., 10/50]
Mexico Indio: Testimonios En Blanco Y Negro/ Fotografias de Alicia Ahumada, Gertrudis Duby, Flor Garduno, Graciela Iturbide, Mariana Yamplosky. Mexico City: InverMexico Grupo Financiero, 1994. [First edition; text in Spanish; essay by Elena Poniatowska; hardback, 192 pages, 31 cm., 95/110; filed under collections]
Carole Naggar and Fred Ritchin, (eds.). Mexico Through Foreign Eyes 1850-1990. New York and London: W. W. Norton & Company, 1996. [Includes Gertrude Blom; exhibition catalogue; paperback, 320 pages, biographies, 30.5 cm., 35/40; filed under collections]
Ian Hollingshead, (ed.). Imagenes Lacondonas: Gertrude Duby Blom. Tezontle, Mexico: Consejo Estatal para la Cultura y las Artes de Chiapas, Fondo de Cultura Economica, 1999. [First edition; text in Spanish; paperback, 96 pages, 30 cm., 20/25]
BLOOM, SUZANNE [1943- ]
Recent Color. San Francisco: San Francisco Museum of Modern Art, 1982. [Includes Suzanne Bloom; exhibition catalogue; paperback, 24 pages, 28 cm., 10/20; filed under Mary Ahrendt]
BLONDEAU, BARBARA [1938-1974]
Into the 70's: Photographic Images by Sixteen Artists/Photographers. Akron, OH: Akron Art Institute, 1970. [Includes Barbara Blondeau; exhibition catalogue; edited by Tom Muir Wilson; foreword by Robert Doty; first edition; paperback, 80 pages, biographies, 20 cm., 10/40; filed under collections]
David Lebe, Joan S. Redmond and Ron Walker, (eds.). Barbara Blondeau 1938-1974. New York: Visual Studies Workshop/ Philadelphia College of Art, 1976. [First edition; spiral-bound paperback, 30 pages, 28 cm., 35/75; archive box]
BLOOMFIELD, LISA [1951- ]
Biennial I. Riverside, CA: California Museum of Photography, University of California, Riverside, 1989. [Includes Lisa Bloomfield; CMP Bulletin, vol. 8, no. 3; exhibition catalogue; first edition; paperback, 52 pages, chronology, 24.5 cm., 5/25; filed under collections]
BLUE, PATT [1945- ]
Patt Blue. Living on a Dream: A Marriage Tale. Jackson: University Press of Mississippi, 1998. [First edition; hardback, 240 pages, 26 cm., 14/25]
BLUME, ANNA [1937- ]
Anna und Bernhard Blume/ Fotos Aus Dem Wirklichen Leben. Basel, [Switzerland?]: Kunsthalie Basel und Autoren, 1987. [Exhibition catalogue; first edition; paperback, 40 pages, 29.5 cm., 10/25]
BOHM, DOROTHY [1924- ]
Dorothy Bohm. A World Observed. London: Hugh Evelyn, 1970. [First edition; foreword by Roland Penrose; hardback, 98 pages, 24 cm., 10/40]
Egypt: Photographs by Dorothy Bohm. New York: Thames and Hudson, 1989. [First edition; foreword by Lawrence Durrell and text by Ian Jeffrey; hardback, 112 pages, 27 cm., 10/25]
BOICE, JUDITH [1962- ]
Mother Earth Through the Eyes of Women Photographers and Writers. San Francisco: Sierra Club Books, 1992. [First edition; edited by Judith Boice; paperback, 142 pages, biographies, 24.5 cm., 20/25; filed under collections]
BONITA, PENA
No Borders: Works by Four North American Native Photographers. [Exhibition catalogue; first edition; includes Pena Bonita; paperback, 32 pages, 14 cm., 0/25; filed under collections]
BONNEY, THERESE [1894-1978]
Therese Bonney and Louise Bonney. Buying Antique and Modern Furniture in Paris. New York: Robert M. McBride & Company, 1929. [First edition; hardback, 70 pages, 19.5 cm., 25/65; stored in archive box]
M. Therese Bonney, (ed.). Remember When: A Pictorial Chronicle of the Turn of the Century and of the Days Known as Edwardian from the Collection of M. Therese Bonney. New York: Coward McCann, Inc., 1933. [First edition; foreword by Charles Dana Gibson; hardback, 124 pages, 26.5 cm., 15/65; archive box; second copy, 40/40]
M. Therese Bonney. The Vatican. Boston: Houghton, Mifflin Company, 1939. ["Text and photographs by M. Therese Bonney"; introduction by Rev. John LaFarge, S.J.; hardback, 140 pages, 26 cm., 75/85; archive box; second copy, 2/50]
Therese Bonney. Europe's Children: 1939-1943. New York; published by the author, 1943. [2 copies; First edition; both signed by the author; paperback, 144 pages, 29 cm.: 1) 75/250 and 2) 50/250; both in archive box]
Therese Bonney. Europe's Children: 1939-1943. New York: Rhode Publishing Company, 1943. [3 copies; distributed by Duell, Sloan & Pearce; hardback, 144 pages, 29 cm.: 1) 50/125, 2) 25/125 (both with dustjackets), and 3) 25/100 (without dustjackets); First 2 copies in archive box]
Peter E. Palmquist, compiler. Mabel Therese Bonney: Misc. Biographical Notes c.1896-1978. [Unpublished information; hardback, 28 cm., 30/30]
Women Come to the Front: Journalists, Photographers, and Broadcasters During World War II. Washington, D.C.: Library of Congress, 1995. [Includes Therese Bonney; exhibition catalogue; first edition; paperback, 24 pages, biography and checklist, 21.5 cm., 0/15; filed under collections]
BOSWORTH, RHONDDA [1944- ]
Six Women Photographers. Auckland, New Zealand: PhotoForum, Inc., 1987. [Includes Rhondda Bosworth; Photoforum New Zealand #56; paperback, 60 pages, biographies, 20 cm., 0/35; filed under collections]
BOUCHARD, GINETTE [1952- ]
Temoins Silencieux: Photographies de Ginette Bouchard. Rennes, France: Musee de Beaux-Arts de Rennes, 1988. [Exhibition catalogue; text in French; paperback, 40 pages, 25 cm., 9/35]
BOUGHTON, ALICE [1866-1943]
Charles Rann Kennedy. The Servant in the House. New York and London: Harper & Brothers, 1908. [Two copies; first edition with variant copyright pages; photographs by Alice Boughton; hardback, 152 pages, 21 cm.; 1) 10/65 and 2) 1/65]
Alice Boughton. Photographing the Famous. New York: Avondale Press, 1928. [First edition; foreword by James L. Ford; hardback, 122 pages, 30 cm., 180/250; archive box]
BOURKE-WHITE, MARGARET [1904-1971]
Margaret Bourke-White. Eyes on Russia. New York: Simon and Schuster, 1931. [First edition; preface by Maurice Hindus; hardback, 136 pages, 28 cm., 20/85]
Fred C. Kelly. One Thing Leads to Another: The Growth of an Industry. Boston and New York: Houghton Mifflin Company, 1936. [First edition; photographs by Bourke-White; hardback, 106 pages, 21.5 cm., 10/50]
Erskine Caldwell and Margaret Bourke-White. You Have Seen Their Faces. New York: Modern Age Books, Inc., 1937. [Gold Seal Edition; photographs by Bourke-White; paperback, 24 pages, 28.5 cm., 15/100; archive box]
Erskine Caldwell and Margaret Bourke-White. You Have Seen Their Faces. New York: Viking Press, 1937. [First edition; photographs by Bourke-White; hardback, 190 pages, 30 cm., 20/40]
Erskine Caldwell and Margaret Bourke-White. North of the Danube. New York: The Viking Press, 1939. [First edition; photographs by Bourke-White; hardback, 136 pages, 24.5 cm., 9/35; ex-library]
Margaret Bourke-White. Say, Is This The U.S.A. New York: Duell, Sloan & Pierce, 1941. [First edition; hardback, 182 pages, 30.5 cm., 10/85]
Margaret Bourke-White. Shooting the Russian War. New York: Simon & Schuster, 1942. [First edition; hardback, 302 pages, 24 cm., 25/50; 2nd copy 30/50]
Margaret Bourke-White. They Called it "Purple Heart Valley": A Combat Chronicle of the War in Italy. New York: Simon & Schuster, 1944. [First edition; hardback, 184 pages, 24 cm., 18/50]
Margaret Bourke-White. Halfway to Freedom. New York: Simon & Schuster, 1949. [First edition, 246 pages, 21.5 cm., 9/40]
John La Farge and Margaret Bourke-White. A Report on the American Jesuits. New York: Farrar, Straus and Cudahy, 1956. [First edition; photographs by Margaret Bourke-White; hardback, 238 pages, 23.5 cm., 55/85; second copy, ex-library, 5/35]
Peter Pollack. Ideas in Images. Worcester, MA: American Federation of Arts/Worcester Art Museum, 1962. [Exhibition catalogue; includes Margaret Bourke-White; paperback, 52 pages, 15.5 cm., 0/10]
Margaret Bourke-White. Portrait of Myself. New York: Simon & Schuster, 1963. [First edition; hardback, 384 pages, 21.5 cm., 4/20]
Margaret Bourke-White. The Photographs of Margaret Bourke-White. New York: Bonanza Books, 1972. [First edition; edited by Sean Callahan, introduction by Theodore M. Brown, and foreword by Carl Mydans; hardback, 208 pages, chronology, 31 cm.. 25/40]
Theodore M. Brown. Margaret Bourke-White: Photojournalist. Ithaca, New York: Andrew Dickson White Museum of Art, Cornell University, 1972. [First edition; hardback, 136 pages, index, 29 cm., 35/50]
Iris Noble. Cameras and Courage: Margaret Bourke-White. New York: Julian Messner, 1973. [First edition; hardback, 192 pages, index, 21.5 cm., 3/15; ex-library] Anne Tucker. The Woman's Eye. New York: Alfred A. Knopf, 1973. [Includes Margaret Bourke-White; first edition; paperback, 170 pages, biography, 25 cm., 10/20; filed under collections]
Margaret Bourke-White and Erskine Caldwell. You Have Seen Their Faces. New York: Arno Press in cooperation with Derbibook, Inc., 1975. [Reprint of 1937 edition; paperback, 190 pages, 30 cm., 1/20]
Margaret Bourke-White: The Cleveland Years 1927-1930. Cleveland, OH: The New Gallery of Contemporary Art, 1976. [Exhibition catalogue; first edition; paperback, 36 pages, 28 cm., 50/65; archive box]
Beatrice Siegel. An Eye on the World: Margaret Bourke-White, Photographer. New York & London: Frederick Warne, 1980. [First edition; hardback, 124 pages, index, 23 cm., 12/15; ex-library]
Jonathan Silverman. For the World to See: The Life of Margaret Bourke-White. New York: The Viking Press, 1983. [First edition; "A Studio Book"; preface by Alfred Eisenstadt; hardback, 224 pages, index, 30.5 cm., 20/40]
Margaret Bourke-White: The Humanitarian Vision. Syracuse, NY: Syracuse University Printing Service, 1983. [Exhibition catalogue; first edition limited to 1000 copies; paperback, 20 pages, 25.5 cm., 8/15]
Vicki Goldberg. Margaret Bourke-White, A Biography. New York, et al: Harper & Row, 1986. [First edition; hardback, 428 pages, 24 cm., 26/35]
Sylvia Wolf. Focus: Five Women Photographers. Morton Grove, IL: Albert Whitman & Company, 1994. [First edition; includes Margaret Bourke-White; hardback, 64 pages, biographies, 23 cm., 19/25; filed under collections]
Peter E. Palmquist. Margaret Bourke-White (l904-1971): Miscellaneous Notes, vol. 1. [Xerox copies of research notes through l995; hardback, 28 cm., 20/30]
Pittsburgh Revealed: Photographs Since 1850. Pittsburgh, Pennsylvania: Carnegie Museum of Art, 1997. [Includes Margaret Bourke-White; exhibition catalogue, paperback, 210 pages, biographies, 24 cm., 20/35; filed under collections]
Power and Paper: Margaret Bourke-White, Modernity, and the Documentary Mode. Boston: Boston University Art Gallery, 1998. [Exhibition catalogue; paperback, 72 pages, chronology, 28 cm., 8/25]
BOWLES, K. JOHNSON
Reframing the Past: Recent Work from Texas Women Photographers. Houston, TX: Houston Center for Photography, [c.1993]. [Includes K. Johnson Bowles; exhibition catalogue; first edition; paperback, 36 pages, 20 cm., 9/20; filed under collections]
BOWN, JANE
The Face of Life: Photographs Chosen by THE OBSERVER. London: Max Parrish & Co., 1959. [First edition; includes photographs by Jane Bown; hardback, 128 pages, 26 cm., 9/35]
Jane Bown. Women of Consequence. London: Chatto & Windus, 1986. [First edition; introduction by Suzanne Lowry; paperback, 112 pages, 30.5 cm., 4/25; oversize]
Jane Bown. Men of Consequence. London: Chatto & Windus, 1987. [First edition; foreword by Lord Snowdon; paperback, 108 pages, 30.5 cm., 20/35; oversize]
Jane Bown/ Observer. New York: Thames and Hudson, 1996. [Introduction by Andrew Billen; paperback, 120 pages, 29 cm., 11/15; oversize]
BOYD, LOUISE ARNER [1887-1970]
Louise A. Boyd. The Fiord Region of East Greenland. New York: American Geographical Society, 1935. [American Geographical Society Special Publication No. 18; first edition; hardback, 372 pages, index, 25.5 cm.; includes a separate slipcase with map and plates; 55/85; archive box]
Louise A. Boyd. Polish Countrysides: Photographs and Narrative by Louise A. Boyd. New York: American Geographical Society, 1937. [American Geographical Society Special Publication No. 20; first edition; hardback, 236 pages, index, 25.5 cm., 15/85; archive box]
Louise A. Boyd. The Coast of Northeast Greenland with Hydrographic Studies in the Greenland Sea: The Louise A. Boyd Arctic Expeditions of 1937 and 1938. New York: American Geographical Society, 1948. [American Geographical Society Special Publication No. 30; first edition; hardback, 340 pages, index, 25.5 cm., 16/70; archive box]
Elizabeth Fagg Olds. Women of the Four Winds: The Adventures of Four of America's First Women Explorers. Boston: Houghton Mifflin Company, 1985. [Includes Louise Arner Boyd; paperback, 318 pages, index, 22.5 cm., 0/15; filed under Delia J. Akeley]
Louise Arner Boyd. Kresy: Fotografie z 1934 roku. Krakow, Poland: Wydawnictwo Znak, 1991. [Exhibition catalogue; introduction by Susan G. Mikos; First edition; paperback, 160 pages, 32 cm., 10/45; oversize]
BRABANT, PATRICIA
McNair, James. Pasta Cookbook. San Francisco: Chronicle Books, 1990. [Photographs by Patricia Brabant; paperback, 96 pages, 20 cm., 7/12]
BRANDEIS, MADELINE [1897-1937]
Madeline Brandeis. The Little Indian Weaver. New York: Grosset & Dunlap, 1928. [2 copies; hardback, 134 pages, 22 cm.: 1) first edition, 5/45, and 2) reprint of the 1928 edition c.1941, 6/25; archive box]
Madeline Brandeis. The Little Dutch Tulip Girl. New York: Grosset & Dunlap, 1929. [First edition; hardback, 192 pages, 22 cm., 3/15; archive box; 2nd copy, 6/35]
Madeline Brandeis. Little Jeanne of France. New York: Grossett & Dunlap, 1929. [First edition; hardback, 192 pages, 22 cm., 6/45; archive box]
Madeline Brandeis. The Little Swiss Wood-Carver. New York: Grosset & Dunlap, 1929. [First edition; hardback, 160 pages, 22 cm., 5/45; archive box]
Madeline Brandeis. Shaun O'Day of Ireland. New York: Grosset & Dunlap, 1929. [First edition; hardback, 192 pages, 22 cm., 9/45; archive box]
Madeline Brandeis. The Wee Scotch Piper. New York: Grosset & Dunlap, 1929. [First edition; hardback, 160 pages, 22 cm., 4/45; 2nd copy, 8/35; archive box]
Madeline Brandeis. Little Philippe of Belgium. New York: Grosset & Dunlap, 1930. [First edition; hardback, 192 pages, 22 cm., 5/45; archive box; 2nd copy, 6/35]
Madeline Brandeis. Little Anne of Canada. New York: Grosset & Dunlap, 1931. [First edition; hardback, 174 pages, 22 cm., 9/40; archive box]
Madeline Brandeis. The Little Mexican Donkey Boy. New York: Grosset & Dunlap, 1931. [2 copies; hardback, 224 pages, 22 cm.: 1) first edition, 5/45; and 2) a war-time edition, 5/35; archive box]
Madeline Brandeis. Mitz & Fritz of Germany. New York: Grosset & Dunlap, 1933. [First edition; hardback, 160 pages, 22 cm., 6/45; archive box]
Madeline Brandeis. Little Tony of Italy. New York: Grosset & Dunlap, 1934. [First edition; hardback, 160 pages, 22 cm., 5/45; archive box]
Madeline Brandeis. Carmen of the Golden Coast. New York: Grosset & Dunlap, 1935. [First edition; hardback, 160 page, 21.5 cm., 5/40; 2nd copy, 10/35; archive box]
Madeline Brandeis. Little Rose of the Mesa. New York: Grosset & Dunlap, 1935. [First edition; hardback, 156 pages, 22 cm,, 5/40; archive box]
Madeline Brandeis. Little Tom of England. New York: Grosset & Dunlap, 1935. [First edition; hardback, 160 pages, 22 cm., 10/35; archive box; 2nd copy with dustjacket, 17/65]
Madeline Brandeis. Little John of New England. New York: Grosset & Dunlap, 1936. [First edition; hardback, 156 pages, 22 cm., 10/35; archive box]
Madeline Brandeis. The Little Spanish Dancer. New York: Grosset & Dunlap, 1936. [First edition; hardback, 176 pages, 22 cm., 10/35; archive box]
Madeline Brandeis. Little Farmer of the Middle West. New York: Grosset & Dunlap, 1937. [The Children of America Series; first edition; hardback, 144 pages, 22 cm., 6/40; archive box]
BRASSEY, (MRS.) ANNE (ALLNUTT) [1839-1887]
(Mrs.) Brassey. Around the World in the Yacht 'Sunbeam': Our Home on the Ocean for Eleven Months. New York: Henry Holt and Company, 1878. [First edition; hardback, 480 pages, index and map, 22 cm., 25/95; archive box]
(Mrs.) Anne Brassey. A Voyage in the 'Sunbeam': Our Home on the Ocean for Eleven Months. Chicago: Belford, Clarke and Company, 1881. [Illustrations possibly based on photographs by the author; hardback, 512 pages, 19 cm., 50/85; filed with the Pam Mendelsohn collection]
BRAUNSTEIN, TERRY [1942- ]
Terry Braunstein: Voyages. Pasadena, CA: Curatorial Assistance, Inc., 1990. [Introduction by Howard N. Fox; text in English and Spanish; paperback, 24 pages, 21.5 cm., 10/25]
BREGER, DEE
Dee Breger. Through the Electronic Looking Glass: 3-D Images from a Scanning Electron Microscope. Phoenix, AZ: Cygnus Graphic, 1995. [First edition; autographed by the author; text in English and German; boards, 70 pages, 20.5 cm; includes stereographic glasses; 20/40]
Dee Breger. Journeys in Microspace: The Art of the Scanning Electron Microscope. New York: Columbia University Press, 1995. [First edition; hardback, 202 pages, 28 cm., 35/50]
BRESLAUER, MARIANNE [1909- ]
Retrospektive Fotografie: Marianne Breslauer. Bielefeld/Dusseldorf: Edition Marzona, 1979. [First edition; paperback, 88 pages, 27 cm., 75/95]
BRETT, GRACE NEFF
Grace Neff Brett. Squiffy the Skunk. Chicago: Rand McNally & Company, 1963. [Photographs by George Neff and Grace Neff Brett; hardback, 32 pages, 20 cm., 30/45]
BRETTLE, JANE
Jane Brettle and Sally Rice, (eds.). Public Bodies/Private States: New Views on Photography, Representation and Gender. Manchester and New York: Manchester University Press, 1994. [Paperback, 176 pages, 25 cm., 13/20; filed under collections]
BRIDGES, MARILYN [1948- ]
Marilyn Bridges. The Sacred & Secular: A Decade of Aerial Photography. New York: International Center for Photography, 1990. [First edition; introduction by Cornell Capa; paperback, 64 pages, biography, 31 cm., 20/40; oversize]
Planet Peru: An Aerial Journey Through a Timeless Land. New York: The Professional Photography Division of Eastman Kodak Company and Aperture Foundation, 1991. [First edition; introduction by Fernando Belaunde Terry, historical commentary by John Hyslop, and photographs by Marilyn Bridges; hardback, 108 pages, 26 cm., 35/50]
Carole Naggar and Fred Ritchin, (eds.). Mexico Through Foreign Eyes 1850-1990. New York and London: W. W. Norton & Company, 1996. [Includes Marilyn Bridges; exhibition catalogue; paperback, 320 pages, biographies, 30.5 cm., 35/40; filed under collections]
BRIGHT, DEBORAH [1950- ]
Photography for Collectors/ Volume 2: The Midwest. [n.p.: Michigan State University, c.1984]. [Catalogue; includes Deborah Bright; paperback, biographies, 96 pages, 22 cm., 0/25; filed under collections]
BRIGMAN, ANNE [1869-1950]
Dorothy Brown. Calico Rags and Bits of Silk. [California?] published by the author, 1932. [First edition; frontis photograph by Anne Brigman; hardback, 80 pages, 21.5; 25/85; archive box]
Anne Brigman. Songs of a Pagan. Caldwell, Idaho: Caxton Printers, Ltd., 1949. [First edition; signed and dated by the author; hardback, 27.5 cm., 285/375; archive box]
Therese Thau Heyman. Annie Brigman: Pictorial Photographer/ Pagan/ Member of the Photo-Secession. Oakland: The Oakland Museum, 1974. [Exhibition catalogue; paperback, 18 pages, 28 cm., 15/35]
Elizabeth W. Hutchinson. Naiads, Dryads and Nymphs: Anne Brigman and the Spiritual Landscape. [Xerox copy of an unpublished paper, 1987; hardback, 28 cm., 20/30]
Jenny Stern. Unleashing the Spirit: The Art of Isadora Duncan and Anne Brigman. [Unpublished Master of Arts in Humanities thesis, San Francisco State University, April 1991; hardback, 28 cm., 20/30]
Correspondence: Anne W. Brigman and Alfred S. Stieglitz 1903-1945. (Xerox copies of letters; hardback, 28 cm., 20/30]
Peter E. Palmquist. Anne W. Brigman (l869-1950): Miscellaneous Notes. [Xerox copies of notes through l995; hardback, 28 cm., 20/30]
Susan Ehrens. A Poetic Vision: The Photographs of Anne Brigman. Santa Barbara: Santa Barbara Museum of Art, 1995. [Exhibition catalogue; first edition; paperback, 96 pages, 28 cm., 20/30]
BRODSKY, CHARLEE MAE [1950-]
Pittsburgh Revealed: Photographs Since 1850. Pittsburgh, Pennsylvania: Carnegie Museum of Art, 1997. [Includes Charlee Mae Brodsky; exhibition catalogue, paperback, 210 pages, biographies, 24 cm., 20/35; filed under collections]
BROOKS, ELLEN [1946- ]
Light and Lens: Methods of Photography. Dobbs Ferry, NY: Hudson River Museum/ Morgan & Morgan, Inc., 1973. [Includes Ellen Brooks; first edition; edited by Donald L. Werner; paperback, 84 pages, 27.5 cm., 10/25; filed under collections]
Paula Marincola. Image Scavengers: Photography/ Ellen Brooks/ Eileen Cowin/Jimmy De Sana/Barbara Kruger/Sherrie Levine/ Richard Prince/Don Rodan/Cindy Sherman/Laurie Simmons. Philadelphia: Institute of Contemporary Art/University of Pennsylvania, 1982. [Exhibition Catalogue; first edition; paperback, 40 pages, 28 cm., 10/25; filed under collections]
Louise Katzman. Photography in California 1945-1980. New York: Hudson Hills Press, in association with the San Francisco Museum of Modern Art, 1984. [Includes Ellen Brooks; exhibition catalogue; first edition; paperback, 206 pages, biography, index, 25.5 cm., 13/35; filed under California catalogues]
Ellen Brooks. New York: Annina Nosei Gallery, 1987. [Exhibition catalogue; paperback, 24 pages, 24 cm., 10/35; oversize]
BROOKS, GERALDINE [1925- ]
Budd Schulberg. Swan Watch. New York: Delacorte Press, 1975. [First edition; photographs by Geraldine Brooks; hardback, 150 pages, 26 cm., 12/30]
BROOKS, REVA [1913- ]
Reva Brooks/ Fotografias. Mexico City: Instituto Nacional de Belles Artes, 1970. [Exhibition catalogue; text in French, Spanish and English; autographed by the photographer; paperback, 28 pages, 20.5 cm., 25/95]
BROOM, CHRISTINA [1863-1939]
Diane Atkinson. Mrs. Broom's Suffragette Photographs. London: Dirk Nishen, 1993. [The Photo-Library #10; paperback, 32 pages, 24.5 cm., 20/35]
BROWN, LAURIE [1937- ]
Slices of Time: California Landscapes 1860-1880, 1960-1980. Oakland, CA: The Oakland Museum, 1981. [Includes Laurie Brown; exhibition catalogue; first edition; paperback, 56 pages, biography, 29.5 cm., 0/25; filed under collections]
BROWN, NANCY [1939- ]
Dianora Niccolini. Women of Vision: Photographic Statements by Twenty Women Photographers. Verona, New Jersey: Unicorn Publishing Company, 1982. [Includes Nancy Brown; first edition; paperback, 128 pages, biographies, 26 cm., 10/25; filed under collections]
BROWN, ROBIN J. [1944- ]
Robin J. Brown. Robin J. Brown: A View of One's Own. Plattsburgh, NY: State University College, 1988. [Exhibition catalogue; first edition; essays by Owen Edwards and Barbara L. Michaels; annotated listing of works by Bruce A. Butterfield; paperback, 32 pages, 28 cm., 10/30]
BROWNELL, ELIZABETH B.
Elizabeth B. Brownell. Dream Children. Indianapolis, IN: The Bowen-Merrill Company, 1901. [First edition; introduction by Clara E. Laughlin; 218 pages, 20 cm., 225/275; archive box]
BROWNING, MARY ELEANOR
Mary Eleanor Browning with Phil Cammarata. Catnips. Englewood Cliffs, NJ: Prentice-Hall, 1962. [2 copies; first edition; photographs by Browning; paperback, 90 pages, 25.5 cm., (1) 3/40 and (2) 2/40; archive box]
BRUCE, HELEN FINN
Helen Finn Bruce. Your Guide to Photography: A Practical Handbook. New York, et al: Barnes & Noble, 1965. [Everyday handbook #285; paperback, 312 pages, index, 20.5 cm., 1/10]
Helen Finn Bruce. Your Guide to Photography: A Complete Handbook. New York: Barnes & Noble, 1973. [Everyday handbook #285; hardback, 310 pages, index, 21.5 cm., 1/15; ex-library]
BRUNNER, PAULINE
A Joy For Every: Nature in North America. Gormley, Ontario, Canada: Aurora Nature Photography and Publishing, 1987. [First edition; photographs by Pauline and Ralph Brunner; text by Andrew Oliver; autographed by Pauline Brunner, 1990; hardback, 136 pages, 30 cm., 13/30]
BRYAN, PAM [1944- ]
Pittsburgh Revealed: Photographs Since 1850. Pittsburgh, Pennsyvania: Carnegie Museum of Art, 1997. [Includes Pam Bryan; exhibition catalogue, paperback, 210 pages, biographies, 24 cm., 20/35; filed under collections]
BRYANT, ELIZABETH R. [1951- ]
Biennial I. Riverside, CA: California Museum of Photography, University of California, Riverside, 1989. [Includes Elizabeth R. Bryant; CMP Bulletin, vol. 8, no. 3; exhibition catalogue; first edition; paperback, 52 pages, chronology, 24.5 cm., 5/25; filed under collections]
BUBELYTOVA, VIOLETA
Fotografia Druheho Dychu: Antologia Sucasnej Sovietskej Fotografie. Bratislave, Russia: Komorna galerie fotografie MDKO, 1987. [Includes Violeta Bubelytova; exhibition catalogue; paperback, 16 pages, 29.5 cm., 5/35; filed under collections]
BUBLEY, ESTHER [1921-1998]
Millicent E. Selsam. How Puppies Grow. New York: Four Winds Press, 1971. [Photographs by Esther Bubley; first edition; hardback, 42 pages, 19 cm., 3/50]
A Mysterious Presence: Macrophotography of Plants. New York: Workman Publishing, 1979. [First edition; text by Percy Kanauth; photographs by Esther Bubley; paperback, 182 pages, appendix, 20 cm., 2/25]
Esther Bubley's World of Children in Photographs. New York: Dover Publications, 1982. [Paperback, 106 pages, 28 cm., 6/25]
Esther Bubley on Assignment: Photographs Since 1939. Buffalo, New York: Bethune Gallery, University at Buffalo' State University of New York, [c,1990] [Exhibition catalogue, paperback, 24 pages, 20 cm., 10/15]
Women Come to the Front: Journalists, Photographers, and Broadcasters During World War II. Washington, D.C.: Library of Congress, 1995. [Includes Esther Bubley; exhibition catalogue; first edition; paperback, 24 pages, biography and checklist, 21.5, 0/15; filed under collections]
Peter E. Palmquist. Esther Bubley (1921- ): Miscellaneous Notes. [Xerox copies of research notes through 1995; hardback, 28 cm., 20/30]
Pittsburgh Revealed: Photographs Since 1850. Pittsburgh, Pennsylvania: Carnegie Museum of Art, 1997. [Includes Esther Bubley; exhibition catalaogue, paperback, 210 pages, biographies, 24 cm., 20/35; filed under collections]
BULLATY, SONJA [1923- ]
Dianora Niccolini. Women of Vision: Photographic Statements by Twenty Women Photographers. Verona, New Jersey: Unicorn Publishing House, 1982. [Includes Sonja Bullaty; first edition; paperback, 128 pages, biographies, 26 cm., 10/25; filed under collections]
Sonja Bullaty and Angelo Lomeo. Circle of Seasons: Central Park Celebrated. New York: Amaryllis Press, 1984. [First edition; introduction by J. Tevere MacFadyen; hardback, 112 pages, 25.5 cm., 28/50; oversize]
Marie-Ange Guillaume. Provence. New York, London, Paris: Abbeville Press, 1993. [First edition; photographs by Bullaty and Angelo Lomeo, and text by Marie-Ange Guillaume; hardback, 180 pages, 26 cm., 45/65]
BULLOCK, EDNA [1915- ]
Edna's Nudes: Photographs by Edna Bullock. Santa Barbara, California: Capra Press, 1995. [First edition; "text written and edited by Barbara Bullock-Wilson"; afterword by Karen Sinsheimer; paperback, 112 pages, vita and chronology, 26.5 cm., 29/30]
BURCH-BROWN, CAROL
Burch-Brown, Carol and David Rigsbee. Trailers. Charlottesville and London: University Press of Virginia, 1996. [First edition; photographs by Carol Burch-Brown and text by David Rigsbee; paperback, 96 pages, 23 cm., 9/25]
BURNS, MARSHA [1945- ]
A Partial View: Young Photographers in the Northwest. Pullman, WA: Museum of Art/Washington State University, 1979. [Includes Marsha Burns; exhibition catalogue; first edition; paperback, 40 pages, biography, 21 cm., 7/25; filed under collections]
Photography for Collectors/ Volume 1: The West. [n. p.: various galleries "west of the Mississippi," c.1980]. [Catalogue; includes Marsha Burns; paperback, 116 pages, 27 cm., 9.25; filed under collections]
David Featherstone. Postures: The Studio Photographs of Marsha Burns. Carmel: The Friends of Photography, 1982. [Untitled #28; paperback, 48 pages, chronology, 28 cm., 15/35]
Marsha Burns/Photographic Themes: Berlin/Seattle 1984-1985. Athens, Ohio: Trisolini Gallery of Ohio University, 1986. [Exhibition catalogue; first edition; paperback, 24 pages, 21.5 cm., 20/25]
BURSON, NANCY [1948- ]
Nancy Burson, Richard Carling and David Kramlich. Composites: Computer Generated Portraits. New York: Beech Tree Books, 1986. [First edition; hardback, 96 pages, 28 cm., 11/40]
BUSSELLE, REBECCA [1949- ]
Rebecca Busselle. An Exposure of the Heart. New York: Penguin Books, 1990. [Previously published by W. W. Norton Co., 1989; paperback, 288 pages, 20 cm., 5/15]
BUTLER, LINDA [1947-]
Inner Light: The Shaker Legacy. New York: Alfred A. Knopf, 1985. [First edition; text by June Sprigg and photographs by Linda Butler; paperback, 92 pages, 29 cm., 35/50; oversize]
BUTLER, LYNN HYMAN [1953- ]
Coney Island Kaleidoscope. Wilsonville, OR: Beautiful America Publishing Company, 1991. [Text by John B. Manbeck and photographs by Lynn Butler; paperback, 108 pages, 24 cm., 10/30]
BUTTFIELD, HELEN [1929- ]
Richard Lewis. Of This World: A Poets Life in Poetry. New York: Dial Press, 1968. [Photographs by Helen Buttfield; first edition; hardback, 96 pages, 22 cm., 6/ 15]
Richard Lewis. The Way of Silence: The Prose and Poetry of Basho. New York: Dial Press, 1970. [Photographs by Helen Buttfield; first edition; hardback, 108 pages, 24 cm., 6/15]
Dianora Niccolini. Women of Vision: Photographic Statements by Twenty Women Photographers. Verona, New Jersey: Unicorn Publishing House, 1982. [Includes Helen Buttfield; first edition; paperback, 128 pages, biographies, 26 cm., 10/25; filed under collections]
BUURMAN, GON
Poseuses: Vrouwenportretten/Portraits of Women. Amsterdam: Uitgeverij An Dekker, 1987. [First edition; text in Dutch and English; paperback, 128 pages, 23 cm., 26/35]
CADBY, CARINE
F. C. Lambert & Thomas Harrison Cummings (eds.). Floral Photography Chicago: Burke & James, June 1905. [The Practical Photographer Series #15; photographs by Carine Cadby; paperback, 64 pages plus advertising, 20 cm., 10/35]
Carine Cadby. Finding a Fairy. London: Mills & Boon, 1917. [Illustrated with 31 photographs by Will Cadby; first edition; hardback, 56 pages, 18.5 cm., 50/100; archive box]
Peter E. Palmquist. Carine Cadby: Miscellaneous Notes, c.1898-1933. [Xerox copies; hardcover, 28 cm., 30/30]
CADE, CATHY
Senna, Mona Bachmann, and Emily Sparrowhawk Brandon, (comp.). Women Working. Seattle: Women Working, 1980. [Includes photographs by Cathy Cade; paperback, 40 pages, 21 cm., 5/35]
Cathy Cade. A Lesbian Photo Album: The Lives of Seven Lesbian Feminists. Oakland, CA: Waterwomen Books, 1987. [First edition; introduction by Lois Rita Helmbold; paperback, 140 pages, bibliography, 21 cm., 15/25]
CADIEUX, GENEVIEVE
Genevieve Cadieux. [Germany?]: Cantz, 1994. [Exhibition catalogue; text in Dutch, French and English; paperback, 88 pages, bibliography, 27 cm., 35/40]
CAFFERY, DEBBIE FLEMING [1948- ]
Debbie Fleming Caffery. Carry Me Home: Louisiana Sugar Country Photographs by Debbie Fleming Caffery. Washington and London: Smithsonian Institution Press, 1990. [Essays by Pete Daniel and Anne Wilkes Tucker; paperback, 140 pages, 25.5 cm., 25/40]
CAHN, ELINOR B. [1925- ]
Linda G. Rich, Joan Clark Netherwood and Elinor B. Cahn. Neighborhood: A State of Mind. Baltimore, MD: Johns Hopkins University Press, 1981. [First edition; includes photographs by Elinor B. Cahn; hardback, 148 pages, 27 cm., 17/35; filed under collections]
CAHUN, CLAUDE (LUCY SCHWOB) [1894-1954]
Mise En Scene. London: Institute for Contemporary Arts, 1994. [Exhibition catalogue; includes Claude Cahun; paperback, 64 pages, biographies, 25 cm., 14/25; filed under collections]
Claude Cahun Photographe. Paris: Edition Jean Michel Place, 1995. [Exhibition catalogue; text in French; paperback, 172 pages, chronology, 27 cm., 20/35]
CALLE, SOPHIE [1953- ]
Sophie Calle. Suite Venitienne/Jean Baudrillard. Please Follow Me. Seattle: Bay Press, 1988. [Reprint of 1983 edition published in Paris; paperback, 88 pages, 21 cm., 12/15]
Sophie Calle/ L'Hotel. Paris: Editions de l'Etoile, 1984. [First edition; paperback, 108 pages, 21.0 cm., 125/125]
Shifting Focus: An International Exhibition of Contemporary Women's Photography. Bristol and London: Arnolfini Gallery, Bristol; Serpentine Gallery, London, 1989. [Includes Sophie Calle; exhibition catalogue; first edition; paperback, 52 pages, biography, 29 cm.; 15/35; filed under collections]
Sophie Calle: Absence. Rotterdam, The Netherlands: Museum Boymans-van Beuningen, 1994. [Exhibition catalogue; first edition; text in Dutch and French; paperback, 72 pages, 27 cm., 30/50]
Sophie Calle: True Stories. Tel Aviv: Tel Aviv Museum of Art, 1996. [Exhibition catalogue; first edition; text in Hebrew and English; hardback, 232 pages, 24.5 cm., 30/50]
Sophie Calle: The Detachment. [Berlin?]: G+B Arts International/ Arndt & Partner Gallery, 1996. [Exhibition catalogue; text in Dutch and English; paperback, 96 pages, 31 cm., 45/50]
CALLIS, JO ANN [1940- ]
Spectrum: New Directions in Color Photography. Honolulu, Hawaii: University of Hawaii Art Gallery, 1979. [Includes Jo Ann Callis; exhibition catalogue; paperback, 32 pages, 21.5 cm., 5/35; filed under collections]
Light/Color: An Exhibition of Contemporary Color Photography. New York: Handwerker Gallery/Ithaca College, 1981. [Includes Jo Ann Callis; exhibition catalogue; paperback, 44 pages, biographies, 27.5 cm., 10/25; filed under collections]
Sally Eauclaire. The New Color Photography. New York: Abbeville Press, 1981. [Includes Jo Ann Callis; first edition; paperback, 286 pages, chronology, 23 cm., 20/75; filed under collections]
Louise Katzman. Photography in California 1945-1980. New York: Hudson Hills Press, in association with the San Francisco Museum of Modern Art, 1984. [Includes Jo Ann Callis; exhibition catalogue; first edition; paperback, 206 pages, biography, index, 25.5 cm., 13/35; filed under California collections]
Jo Ann Callis: Where Things Are. Los Angeles: Richard Green Gallery, [c.l988]. [Exhibition catalogue; paperback, 20 pages, 20 cm., 10/20]
Jo Ann Callis: Objects of Reverie/ Selected Photographs 1977-1989. Des Moines, Iowa: Des Moines Art Center and Black Sparrow Press, 1989. [Exhibition catalogue; poems by Raymond Carver and essay by Buzz Spector; paperback, 60 pages, chronology, 26.5 cm., 6/25]
CAMERON, EVELYN [1868-1928]
Donna M. Lucey. "The Intimate Vision of Evelyn Cameron," Geo, vol. 5 (January 1983), cover and pp. 66-79. [archive box]
Donna M. Lucey. Photographing Montana 1894-1928: The Life and Work of Evelyn Cameron. New York: Alfred A. Knopf, 1991. [First edition; hardback, 252 pages, index, 25.5 cm., 60/75; oversize]
CAMERON, JULIA MARGARET [1815-1879]
Helmut Gernsheim. Julia Margaret Cameron: Her Life and Photographic Work. London and New York: The Fountain Press, 1948. [First edition; introduction by Clive Bell; distributed in the United States by Transatlantic Arts, Inc.; hardback, 142 pages, 24 cm., 2/50]
John J. McKendry. Four Victorian Photographers. New York: Metropolitan Museum of Art, 1968. [Includes Julia Margaret Cameron; spiral-bound, date-book and calendar format; 116 pages, 21 cm., 5/15]
Brian Hill. Julia Margaret Cameron: A Victorian Family Portrait. New York: St. Martin Press, Inc., 1973. [First edition; hardback, 204 pages, index, 22 cm., 4/15]
Victorian Photographs of Famous Men & Fair Women by Julia Margaret Cameron. Boston: David R. Godine, 1973. [First published 1926; expanded and revised edition, edited by Tristam Powell; hardback, 126 pages, 32 cm., 20/40; oversize]
Anita Mozley. Mrs. Cameron's Photographs from the Life. Palo Alto: Department of Art/ Stanford University Museum of Art, 1974. [2 copies; exhibition catalogue; paperback, 138 pages, 28 cm., includes 6 laid-in reproductions: 1) 20/45, in archive box; and 2) 20/45]
Colin Ford. The Cameron Collection: An Album of Photographs by Julia Margaret Cameron Presented to Sir John Herschel. London: Van Nostrand Reinhold in association with The National Portrait Gallery, 1975. [First edition; hardback, 144 pages, index, 33 cm., 40/65; oversize]
Helmut Gernsheim. Julia Margaret Cameron: Her Life and Photographic Work. New York: Aperture, 1975. [Second edition after 1948 publication; hardback, 200 pages, bibliography and index, 27.5 cm., 28/50]
Ovenden, Graham, (ed.). A Victorian Album: Julia Margaret Cameron and Her Circle. New York: De Capo Press, 1975. [First edition; introduction by Lord David Cecil; hardback, 252 pages, index, 33 cm., 25/65; oversize]
Pre-Raphaelite Photography. London: Fine Arts Department/ The British Council, 1983. [Exhibition catalogue; includes Julia Margaret Cameron; first edition; paperback, 48 pages, 25 cm., 8/25; filed under collections]
Amanda Hopkinson. Julia Margaret Cameron. London: Virago Press, 1986. [Paperback, 180 pages, index, 19.5 cm., 5/20]
Joanne Lukitsh. Cameron: Her Work and Career. Rochester, NY: International Museum of Photography, 1986. [Exhibition catalogue; paperback, 104 pages, 28 cm., 15/35]
Whisper of the Muse: The Overstone Album & Other Photographs by Julia Margaret Cameron. Malibu, CA: The J. Paul Getty Museum, 1986. [Exhibition catalogue; first edition; essay by Mike Weaver; hardback, 104 pages, 28.5 cm., 30/40]
Jeremy Howard. Whisper of the Muse: The World of Julia Margaret Cameron. London: Colnaghi & Co., 1990. [Exhibition catalogue; paperback, 128 pages, 25 cm., 25/35]
Sylvia Wolf. Focus: Five Women Photographers. Morton Grove, IL: Albert Whitman & Company, 1994. [First edition; includes Julia Margaret Cameron; hardback, 64 pages, biographies, 23 cm., 19/25; filed under collections]
Julia Margaret Cameron: Photographs from the J. Paul Getty Museum. Los Angeles: J. Paul Getty Museum, 1997. [In Focus series; first edition; paperback, 144 pages, 19.5 cm., 0/25]
CAMILLERI, MARY ANN
Mary Ann Camilleri. Ladies Please! Toronto: Exile Editions, 1994. [First edition; introduction by Tom Hedley; paperback, 102 pages, 29 cm., 8/35; oversize]
CAMMAROTO, CRISTA
Tangle of Complexes: Photographing in Mexico. Birmingham, Alabama: Space One Eleven, 1996. [Includes Crista Cammaroto; exhibition catalogue; text in English and Spanish; first edition; paperback, 24 pages, 28 cm., 0/20]
CAMPOS-PONS, MARIA MAGDALENA [1959- ]
Witness. North Vancouver, British Columbia: Presentation House Gallery, 1994. [Includes M. Magdalena Campos-Pons; exhibition catalogue, first edition; paperback, 32 pages, 24 cm., biographies, 10/25; filed under collections]
CAPP, KRISTIN [1964- ]
Kristin Capp. Hutterite: A World of Grace. Zurich and New York: Edition Stemmle, 1998.[First edition; texts by Kristin Capp, Sieglinde Geisel and Rod Slemmons; hardback, 144 pages, 33.5 cm., 65/75; oversize]
CARCELLO, ROSEANN [1952- ]
Roseann Carcello. American Dream: Stamp Series One. Arcata, CA: Women in Photography International Archive, 2000. [Edition limited to 25 copies; first edition; hardback, 108 pages, 22 cm., 50/50]
CAREY, ELLEN [1952- ]
Reflections: Women's Self-Image in Contemporary Photography. Oxford, OH: Miami University Art Museum, 1988. [Exhibition catalogue; Essays by Catharine R. Stimpson and Barbara Hershey; foreword by Edna Carter Southard; photographs by Ellen Carey and others; first edition; paperback, 96 pages, 27.5 cm., 30/45; filed under collections]
CARPENTER, GRACE [1865-1937]
Joseph Armstrong Baird, Jr. Grace Carpenter Hudson (1865-1937): Oil Paintings and Sketches including Works on Loan from C. Frederick Faude. San Francisco: California Historical Society, 1962. [Paperback, 20 pages, 28 cm., 10/45; archive box]
David W. Peri, (comp.). The Hudson-Carpenter Estate (Photographers Aurelius Ormando Carpenter, Helen McCowen Carpenter, Grace Carpenter Hudson and Dr. John Wilz Napier Hudson). [Unpublished manuscript, 1977; hardback, 20 cm., 30/30; filed under Aurelius Ormando Carpenter]
Searles R. Boynton. The Painter Lady: Grace Carpenter Hudson. Eureka, CA: Interface California Corporation, 1978. [First edition; hardback, 186 pages, index, 33 cm., 29/150; oversize]
CARPENTER, HELEN McCOWEN [1838-1917]
Helen M. Carpenter. "How Indian Baskets are Made," The Cosmopolitan, vol. 29, vol. 6 (October 1900).
David W. Peri, (comp.). The Hudson-Carpenter Estate (Photographers Aurelius Ormando Carpenter, Helen McCowen Carpenter, Grace Carpenter Hudson and Dr. John Wilz Napier Hudson). [Unpublished manuscript, 1977; hardback, 20 cm., 30/30; filed under Aurelius Ormando Carpenter]
Peter E. Palmquist. Helen McCowen Carpenter (1838-1917): Collected Notes. [Unpublished notes compiled by the author, 1997; xerox copies only; hardback, 28 cm., 30/30]
CARR, KATHLEEN THORMOD
Kathleen Thormod Carr. Polaroid Transfers: A Complete Visual Guide to Creating Image and Emulsion Transfers. New York: Amphoto, 1997. [First edition; signed by the author; paperback, 160 pages, index, 27 cm., 35/40; filed under collections]
Kathleen Thormod Carr. Polaroid Transfers: Landscape and Figurative Work 1993-1998. Gualala, CA: Alinder Gallery, 1998. [First edition; signed by the photographer; paperback, 24 pages, 21.5 cm., 15/35]
CARROLL, ANNA [1868-1925]
Diane Galusha with Karen Marshall. Through a Woman's Eye: Pioneering Photographers in Rural Upstate. Hensonville, New York: Black Dome Press Corp., 1994. [Includes Anna Carroll; first edition; paperback, 200 pages, 28 cm., 12/40; filed under collections]
CARROLL, PATRICIA [1946- ]
Light/Color: An Exhibition of Contemporary Color Photography. New York: Handwerker Gallery/Ithaca College, 1981. [Includes Patricia Carroll; exhibition catalogue; paperback, 44 pages, biographies, 27.5 cm., 10/25; filed under collections]
CARY, DIANA SERRA
Hollywood's Children: An Inside Account of the Child Star Era." Boston: Houghton Mifflin, 1978. [Hardback, 290 page, Index, 23.5 cm., 7/25]
CASANAVE, MARTHA [1946- ]
Past Lives: Photographs by Martha Casanave. Boston: David R. Godine, 1991. [First edition; essays by Ted Orland and Lyn Hejinian; afterword by Eelco Wolf; paperback, 56 pages, 28 cm., 30/65; oversize]
CASAS, ANA [1956- ]
Mujeres: 10 Fotografas/ 50 Retratos. Madrid: Telefonica/ Fundacion Arte y Technologia, 1994. [Includes Ana Casas; exhibition catalogue; first edition; paperback, 160 pages, checklists, 28 cm., 0/65; filed under collections]
CASDIN-SILVER, HARRIET [1925- ]
Harriet Casdin-Silver: The Art of Holography. Lincoln, MA: DeCordova Museum and Sculpture Park, 1998. [Exhibition catalogue; first edition; paperback, 40 pages, 28 cm., 15/25]
CATALDO, MIMA
The Women's Encampment for a Future of Peace and Justice: Images and Writings. Philadelphia: Temple University Press, 1987. [Includes photographs by Mima Cataldo; signed by Mima Cataldo; hardback, 108 pages, 25.5 cm., 20/30]
CATANY, TONI [1942- ]
Toni Catany. Obscura Memoria. Barcelona: Lunwerg Editores, S. A., 1994. [First edition; hardback, 124 pages, 31 cm., 35/50; oversize]
CAULFIELD, PATRICIA
Patricia Caulfield. Complete Guide to Kodachrome II. New York: Universal Photo Books, 1962. [First edition; paperback, 128 pages, index, 20 cm., 1/15]
Patricia Caulfield. Everglades. San Francisco: Sierra Club, 1970. [First edition; hardback, 144 pages, 35 cm., 40/ 75; oversize]
Patricia Caulfield. Capturing the Landscape with Your Camera: Techniques for Photographing Vistas and Closeups in Nature. New York: Amphoto, 1987. [First edition; hardback, 160 pages, 28.5 cm., 15/25]
CHADWICK, HELEN [1953- ]
Helen Chadwick. Enfleshings. New York: Aperture Foundation, 1989. [First edition; essay by Marina Warner; hardback, 112 pages, 30 cm., 21/65; oversize]
Helen Chadwick. Effluvia. London: Serpentine Gallery, 1994. [Exhibition catalogue; essay by Marjorie Allthorpe-Guyton; text in English, German and Spanish; paperback, 72 pages, 29.5 cm., 35/65; oversize]
CHAMBERLAIN, KATHERINE
Katherine Chamberlain. An Introduction to the Science of Photography. New York, et al: Macmillan Company, 1951. [Autographed by the author; first edition; hardback, 292 pages, index, 24 cm., 20/35]
CHAMLEE, PAULA [1944- ]
Paula Chamlee. Natural Connections: Photographs by Paula Chamlee/ Accompanied by Selections from her Journals. Revere, PA: Lodima Press, l994. [First edition; essay by Estelle Jussim; hardback, 112 pages, 25 cm., 60/75; oversize]
Paula Chamlee. High Plains Farm. Revere, Pennsylvania: Lodima Press, 1996. [First edition; foreword by George F. Thompson; hardback, 108 pages, 25.0 cm., 0/75; oversize]
CHAPELLE, GEORGETTE LOUISE ("DICKEY" MEYER) [1919-1965]
Dickey Meyer. Needed--Women in Aviation. New York: Robert M. McBride & Co., 1942. [First edition; hardback, 220 pages, 20 cm., 20/50]
Dickey Meyer. Girls at Work in Aviation. Garden City, NY: Doubleday, Doran & Company, 1943. [First edition; hardback, 210 pages, 20 cm., 50/100]
Dickey Chapelle. What's a Woman Doing Here?: A Reporter's Report on Herself. New York: William Morrow and Company, 1962. [2 copies; first edition; hardback, 312 pages, 21.5 cm.: 1) 65/100, in archive box; and 2) ex-library, 25/65]
W. E. Garrett/Dickey Chapelle. "[Dickey Chapelle tribute]," National Geographic, vol. 129, no. 2 (February 1966), cover photo and pp. 270-296. [1/10]
Roberta Ostroff. Fire in the Wind: The Life of Dickey Chapelle. New York: Ballantine Books, 1992. [First edition; hardback, 410 pages, 24 cm., 21/40]
CHARLESWORTH, SARAH [1947- ]
Shifting Focus: An International Exhibition of Contemporary Women's Photography. Britol and London: Arnolfini Gallery, Bristol; Serpentine Gallery, London, 1989. [Includes Sarah Charlesworth; exhibition catalogue; first edition; paperback, 52 pages, biography, 29 cm.; 15/35; filed under collections]
Recent Tendencies in Black and White. New York: Sidney Janis Gallery, 1997. [Includes Sarah Charlesworth; exhibition catalogue; paperback, 24 pages, 28 cm., 8/20]
Susan Fisher Sterling. "Sarah Charlesworth and the Visual Language of Photography," Women in the Arts, vol. 16, no. 3 (Summer 1998).
CHARTERS, ANN
Ann Charters. Beats & Company: Portrait of a Literary Generation. Garden City, NY: Doubleday & Company, 1986.
CHARTIER, COLLEEN [1952- ]
A Partial View: Young Photographers in the Northwest. Pullman, WA: Museum of Art/Washington State University, 1979. [Includes Colleen Chartier; exhibition catalogue; first edition; paperback, 40 pages, biography, 21 cm., 7/25; filed under collections]
CHERNIKOWSKI, STEPHANIE
Dream Baby Dream/ Images from the Blank Generation: A Documentary Film in Stills by Stephanie Chernikowski. Los Angeles: 2.13.61 Publications, 1996. [First edition; paperback, 100 pages, 25.5 cm., 22/25]
CHUSTKA, EDITH
Claude Kipnis. The Mime Book. New York, Evanston, San Francisco, London: Harper & Row, 1974. [First edition; edited by Neil Kleinman, and photographs by Edith Chustka; hardback, 226 pages, 23.0 cm., 9/30]
CHWATSKY, ANN [1942- ]
Gerald C. Wertkin. The Four Seasons of Shaker Life: An Intimate Portrait of the Community at Sabbathday Lake, Maine. New York: Simon & Schuster, 1986. [First edition; photographs by Ann Chwatsky; paperback, 190 pages, index, 28 cm., 20/35]
Ann Chwatsky. The Man in the Street. New York: E. P. Dutton, 1989. [First edition; introduction by Pete Hamill; hardback, 144 pages, 28 cm., 12/35]
CLARK, ETTA
Etta Clark. Growing Old is Not For Sissies. Corte Madera, CA: Pomegranate Books, 1986. [First edition; introduction by Richard Selzer; paperback, 116 pages, 23 cm., 35/45]
CLARK, MARGA [1944- ]
Marga Clark: Static Movement. London and New York: J. Soto in collaboration with the Banco de Bilboa, 1985. [First edition; signed by the photographer; text in English and Spanish; hardback, 72 pages, 21.5 cm., 65/85]
Mujeres: 10 Fotografas/ 50 Retratos. Madrid: Telefonica/ Fundacion Arte y Technologia, 1994. [Includes Marga Clark; exhibition catalogue; first edition, paperback, 160 pages, checklists, 28 cm., 0/65; filed under collections]
CLAY, KATHY
Susan and Ann Zwinger. Women in Wilderness: Writings and Photographs. San Diego, New York, London: Harcourt Brace & Company, 1995. [Includes Kathy Clay; paperback, 100 pages, 24.5 cm., 15/25; filed under collections]
COBB, JODI
Jodi Cobb. Geisha: The Life, the Voices, the Art. New York: Alfred A. Knopf, 1995. [First edition; introduction by Ian Buruma; hardback, 132 pages, 25.5 cm., 45/50; oversize]
CODRINGTON, TESSA
Tessa Codrington. First Steps in Taking Photographs. London: Merehurst, 1995. [Paperback, 48 pages, 25 cm., 3/10]
COHEN, JOYCE TENNESON [1945- ]
In/Sights: Self-Portraits by Women. Boston: David R. Godine, 1978. [First edition; compiled & with an introduction by Joyce Tenneson Cohen; essay by Patricia Meyer Spacks; hardback, 134 pages, 18 cm., 20/50; filed with collections]
COHEN, LAURA [1956- ]
Companeras de Mexico: Women Photograph Women. Riverside, CA: University Art Gallery, University of California, 1990. [Exhibition catalogue; first edition; essays by Amy Conger and Elena Poniatowska; text in English and Spanish; photographs by Laura Cohen and others; paperback, 80 pages, biographies, 28 cm., 10/25; filed under collections]
Laura Cohen: Obra Reciente. Mexico City: Galeria OMR, 1997. [First edition; paperback, 44 pages, biography, 22 cm., 9/30]
COHEN, LYNNE [1944- ]
Photographers Midwest Invitational. Vineland Place, MN: Walker Art Center, 1973. [Includes Lynne Cohen; exhibition catalogue; paperback, 40 pages, biographies, 28 cm., 10/45; filed under collections]
Environments Here and Now/ Three Contemporary Photographers: Lynne Cohen/Robert Del Tredici/Karen Smiley. Ottawa: National Gallery of Canada, 1985. [Exhibition catalogue; curated by Ann Thomas; first edition; paperback, 96 pages, 25 cm., 10/30; filed under collections]
Occupied Territory: Lynne Cohen. New York: Aperture, 1987. [First edition; edited and designed by William A. Ewing; texts by David Byrne and David Mellor; hardback, 112 pages, index, 23.5 cm., 25/35]
Powerplays: Contemporary Photography from Canada. Edinburgh: Stills Gallery, 1989. [Exhibition catalogue; first edition; essay by Martha Langford; photographs by Lynne Cohen and others; paperback, 40 pages, biographies, 20 cm., 10/25; filed under collections]
Shifting Focus: An International Exhibition of Contemporary Women's Photography. Bristol and London: Arnolfini Gallery, Bristol; Serpentine Gallery, London, 1989. [Includes Lynne Cohen; exhibition catalogue; first edition; paperback, 52 pages, biography, 29 cm.; 15/35; filed under collections]
Typologies: Nine Contemporary Photographers. Newport Beach, CA and New York: Newport Harbor Art Museum/Rizzoli, 1991. [Includes Lynne Cohen; exhibition catalogue; first edition; hardback, 136 pages, 28.5 cm., 8/25; filed under collections]
"Lynne Cohen," Contact Sheet 89 (1996), pp. 15-22. [Filed with Contact Sheet run]
COLEMAN, EMMA ALFREDA WHITE [1863-1949]
Fay P. Fairbrother. Emma Alfreda White Coleman: Norman Pioneer, Photographer, and Businesswoman. Norman, Oklahoma: University of Oklahoma, 1993. [Xerox of MA thesis: hardback, 250 pages, 28 cm., 30/50]
COLLINS, HANNAH [1956- ]
Hannah Collins: "In the Course of Time". [Madrid]: various co-operating publishers including The British Council, Madrid, 1996. [Exhibition catalogue; text in Spanish and English, paperback, 96 pages, 28 cm., 30/35]
Shifting Focus: An International Exhibition of Contemporary Women's Photography. Bristol and London: Arnolfini Gallery, Bristol; Serpentine Gallery, London, 1989. [Includes Hannah Collins; exhibition catalogue; first edition; paperback, 52 pages, biography, 29 cm.; 15/35; filed under collections]
COLLINS, KATHLEEN [1945- ]
Light/Color: An Exhibition of Contemporary Color Photography. New York: Handwerker Gallery/Ithaca College, 1981. [Includes Kathleen Collins; exhibition catalogue; paperback, 44 pages, biographies, 27.5 cm., 10/25; filed under collections]
Hannah Collins: Filming Things. Paris and Barcelona: Centre de la Photographie, Paris and Echo Books, Barcelona, 1997. [Exhibition catalogue; hardback, 100 pages, checklist, 28.5 cm., 45/75; oversize]
COLLIS, SEPTIMA MARIA (LEVY) [1842-1917]
Septima M. Collis. A Woman's Trip to Alaska: Being an Account of a Voyage Through the Inland Seas of the Sitkan Archipelago in 1890. New York: Cassell Publishing Company, 1890. [3 copies; hardcover, 196 pages, 22 cm.: 1) first edition; signed and dated by the author, 100/300; and 2) autographed and signed April 1991; both in archive box; and 3) second edition, in Mendelsohn Collection]
COLMAN, ELIZABETH BERTELSMANN [1909- ]
Elizabeth Colman. Chinatown, U.S.A. New York: Asia Press in association with The John Day Company, 1946. [2 copies; First edition; hardcover, 116 pages, 21.5 cm.: 1) 5/40; and 2) 5/35]
COLOMB, DENISE [1902- ]
Denise Colomb: Portraits D'Artistes-Les Annees 50/60. Paris: Editions Studio 666, 1986. [First edition; text in French; hardcover, 120 pages, 35 cm., 33/85; oversize]
Denise Colomb: Quelques Reflexions Sur Paris. Paris: Marval, 1989. [First edition; text in French; essay by Rene Pons; paperback, 96 pages. 22 cm., 45/50]
COMAN, KATHARINE.
Katharine Lee Bates. From Gretna Green to Land's End: A Literary Journal in England. New York: Thomas Y. Crowell Company, 1907. [Fourth edition; photographs by Katharine Coman; hardcover, 388 pages, index, 21.5 cm., 12/40]
CONDE, CAROLE [1940- ]
Powerplays: Contemporary Photography from Canada. Edinburgh: Stills Gallery, 1989. [Exhibition catalogue; essay by Martha Langford; photographs by Carole Conde and others; first edition; paperback, 40 pages, biographies, 20 cm., 10/25; filed under collections]
CONDIT, CECILIA [1947- ]
Photography for Collectors/ Volume 2: The Midwest. [n.p.: Michigan State University, c.1984]. [Catalogue; includes Cecilia Condit; paperback, 96 pages, biographies, 22 cm., 9/25; filed under collections]
CONES, NANCY FORD [1869-1962]
Nancy Ford Cones: The Lady from Loveland. Cincinnati: Walt Burton Galleries, 1981. [Sales catalogue; edited by Irene Owsley; paperback, 58 pages, chronology, price list, etc., 28 cm., 12/40]
CONNER, LOIS [1951- ]
Panoramas of the Far East: Photographs by Lois Conner. Washington and London: Smithsonian Institution Press, 1993. [Photographers at work series; first edition; paperback, 64 pages, 21 cm., 15/20]
CONNOR, LINDA [1944- ]
Light and Lens: Methods of Photography. Dobbs Ferry, NY: Hudson River Museum/ Morgan & Morgan, Inc., 1973. [Includes Linda Connor; First edition; edited by Donald L. Werner; paperback, 84 pages, 27.5 cm., 10/25; filed under collections]
Forty American Photographers. Sacramento: E. B. Crocker Art Gallery, 1978. [Includes Linda Connor; exhibition catalogue; first edition; paperback, 52 pages, 21 cm., 10/25; filed under California catalogues]
American Images: New Work by Twenty Contemporary Photographers. New York, et al: McGraw-Hill Book Company, 1979. [Includes Linda Connor; first edition; edited by Renato Danese; hardback, 216 pages, biography, 28 cm., 13/50; filed under collections]
Solos: Photographs by Linda Connor. Millerton, New York: Apeiron Workshops, Inc., 1979. [First edition; hardback, 64 pages, 28.5 cm., 35/75]
Light. Los Angeles and New York: Light Gallery, 1981. [Exhibition catalogue; includes Linda Connor; first edition; paperback, 96 pages, biography and bibliography, 25 cm., 5/25]
Linda Connor. Riverside, CA: California Museum of Photography, University of California. CMP Bulletin, vol. 2, no. 2, 1983. [Paperback, 16 pages, 24.5 cm., 10/20]
Louise Katzman. Photography in California 1945-1980. New York: Hudon Hills Press, in association with the San Francisco Museum of Modern Art, 1984. [Includes Linda Connor; exhibition catalogue; first edition; paperback, 206 pages, biography, index, 25.5 cm., 13/35; filed under California catalogues]
Linda Connor/Luminance. Carmel, CA: Woodrose Publishing in Association with the Center for Photographic Art, 1994. [First edition; paperback, 52 pages, 24.5 cm., 20/30]
Linda Connor/Visits. Syracuse, New York: Robert B. Menschel Photography Gallery, Syracuse University, 1996. [Menschel Gallery publication #46; exhibition catalogue; paperback, 24 pages, 25 cm., 0/25]
Carole Naggar and Fred Ritchin, (eds.). Mexico Through Foreign Eyes 1850-1990. New York and London: W. W. Norton & Company, 1996. [Includes Linda Conner; exhibition catalogue; paperback, 320 pages, biographies, 30.5 cm., 35/40; filed under collections]
CONTENT, MARJORIE [1895-1984]
Jill Quasha. Marjorie Content: Photographs. New York and London: W. W. Norton & Company, 1994. [First edition; essays by Ben Lifson, Richard Eldridge and Eugenia Parry Janis; hardback, 160 pages, 22.5 cm., 27/45]
COOK, KATHLEEN NORRIS
Susan and Ann Zwinger. Women in Wilderness: Writings and Photographs. San Diego, New York, London: Harcourt Brace & Company, 1995. [Includes Kathleen Norris Cook; paperback, 100 pages, 24.5 cm., 15/25; filed under collections]
COOK, MARIANA RUTH [1955- ]
Mariana Cook: Portraits. New York: published by the photographer, 1988. [First edition; inscribed by the photographer?; paperback, 16 pages, 28 cm., 15/30]
Fathers and Daughters in Their Own Words: Photographs by Mariana Cook. San Francisco: Chronicle Books, 1994. [Introduction by William Styrona paperback, 132 pages, 30.5 cm., 20/30; oversize]
CORINNE, TEE A. [1943- ]
Yantras of Womanlove. Tallahassee, Florida: Naiad press, 1982. [Photographs by Tee Corinne; text by Jacqueline Lapidus and introduction by Margaret Sloan-Hunter; first edition; paperback, 64 pages, 28 cm., 30/50]
Tee A. Corinne. Cunt Coloring Book. San Francisco: Last Gasp, 1988. [Third printing, October 1992; drawings by Tee Corinne; paperback, 48 pages, 28 cm., 6/10]
Lesbian Muse--1990. [Oregon?]: Chance Publications, 1989. [Photographs by Tee Corinne; paperback calendar, 100 pages, 18 cm., 0/35; archive box]
Tee A. Corinne. Tee Corinne: Twenty-Two Years 1970-1992. [Wolf Creek, Oregon: published by the author, 1992] [Paperback, 88 pages, 28 cm., 0/35; archive box]
Tee A. Corinne, (ed.). The Body of Love. Austin, Texas: Banned Books, 1993. [First edition; paperback, 134 pages, 10/15]
Femalia. San Francisco: Down There Press, 1993. [First edition; edited by Joni Blank; photographs by Tee Corinne and others; paperback, 72 pages, 22.5 cm., 15/20; filed under collections]
Tee A. Corinne. Courting Pleasure: A Collection. Austin, Texas: Banned Books, 1994. [First edition; paperback, 130 pages, 21.5 cm., 0/30]
Tee A. Corinne. The Sex Lives of Daffodils: Growing Up As An Artist Who Also Writes. Wolf Creek, Oregon: Pearlchild, 1994. [First edition; paperback, 82 pages, 28 cm., 0/35; archive box]
Tee A. Corinne. Photo Essays/Lectures 1986-1995. [Oregon?]: published by the author, [c.1995]. [Paperback (three-hole, string bound), 36 pages, 0/35; archive box]
Susie Bright and Jill Posener, (eds.). Nothing But the Girl: The Blatant Lesbian Image. New York and London: Freedom Editions, 1996. [Includes section on Tee A. Corrine; first edition; hardback, 144 pages, biographies, 28 cm., 32/40]
CORNELISEN, ANN [1926- ]
Ann Cornelisen. Women of the Shadows. Boston, Toronto: Little, Brown and Company, 1976. [Photographs by the author; Hardback, 224 pages, 21 cm., 18/30]
CORPRON, CARLOTTA M. [1901-1988]
Margaretta K. Mitchell. Recollections: Ten Women of Photography. New York: Viking Press, 1979. [Includes Carlotta M. Corpron; hardback, 208 pages, biographies, 28 cm., 10/50; filed under collections]
Jean S. Tucker. Light Abstractions. St. Louis: University of Missouri, 1980. [Includes Carlotta Corpron; exhibition catalogue; first edition; paperback, 88 pages, chronology, 30 cm., 15/25; filed under collections]
Martha A. Sandweiss. Designer With Light. Austin and London: Published for the Amon Carter Museum by the University of Texas Press, 1980. [Exhibition catalogue; first edition; paperback, 64 pages, 23 cm., 0/25]
CORSER, KIRA [1951- ]
Struggle to be Borne. San Diego, CA: San Diego State University Press, 1988. [First edition; foreword by W. Benson Harer; photographs by Kira Corser; poetry by Fran Adler; autographed and dated by Kira Corser; paperback, 68 pages, 23 cm., 10/20]
CORY, KATE [1861-1958]
Barton Wright, Marnie Gaede, and Marc Gaede. The Hopi Photographs: Kate Cory, 1905-1912. La Canada, California: Chaco Press, 1986. [First edition; signed by Marc Gaede; hardback, 162 pages, 27.5 cm., 24/45]
COSINDAS, MARIE [1925- ]
Marie Consindas/ Polaroid Color Photographs [Museum of Modern Art, New York; Museum of Fine Art, Boston; The Art Institute of Chicago, c.1966. [Exhibition catalogue; paperback, 12 pages, 28 cm., 5/20; oversize]
Marie Cosindas Color Photographs. Boston: New York Graphic Society, 1978. [First edition; essay by Tom Wolfe; hardback, 144 pages, bibliographic notes, 30 cm., 45/70; oversize]
COTTRELL, HONEY LEE [1959- ]
Jill Taylor. A Dyke's Bike Repair Handbook. [n.p.]: Clothespin Fever Press, 1990. [Photographs by Honey Lee Cottrell and Jenny Wrenn; first edition; spiral-bound, 136 pages, index, 14 cm., 5/10]
Susie Bright and Jill Posener, (eds.). Nothing But the Girl: The Blatant Lesbian Image. New York and London: Freedom Editions, 1996. [Includes section on Honey Lee Cottrell; first edition; hardback, 144 pages, biographies, 28 cm., 32/40]
COURTNEY-CLARKE, MARGARET
Margaret Courtney-Clarke. Places in the Sand. New York: Monacelli Press, 1997. [First edition; hardback, 120 pages, 23 cm., 50/65]
COWIN, EILEEN [1947- ]
Spectrum: New Directions in Color Photography. Honolulu, Hawaii; University of Hawaii Art Gallery, 1979. [Includes Eileen Cowin; exhibition catalogue; paperback, 32 pages, 21.5 cm., 5/35; filed under collections]
Paula Marincola. Image Scavengers: Photography/ Ellen Brooks/ Eileen Cowin/ Jimmy De Sana/ Barbara Kruger/ Sherrie Levine/ Richard Prince/ Don Rodan/ Cindy Sherman/ Laurie Simmons. Philadelphia: Institute of Contemporary Art/University of Pennsylvania, 1982. [Exhibition catalogue; first edition; paperback, 40 pages, 28 cm., 10/25; filed under collections]
Louise Katzman. Photography in California 1945-1980. New York: Hudson Hills Press, in association with the San Francisco Museum of Modern Art, 1984. [Includes Eileen Cowin; exhibition catalogue; first edition; paperback, 206 pages, biography, index, 25.5 cm., 13/35; filed under California catalogues]
Kathleen McCarthy Gauss. New American Photography. Los Angeles: Los Angeles County Museum of Art, 1985. [Includes Eileen Cowin; exhibition catalogue; first edition; hardback, 128 pages, biography and checklist, 23 cm., 35/65; filed under collections]
Eileen Cowin: Real Images of an Illusory World. Tokyo: Gallery Min, 1987. [Exhibition catalogue; first edition; text in English and Japanese; paperback, 76 pages, biography, 28 cm., 30/65; oversize]
COX, KAREN
Foxfire [Vol. 7, no. 1 (Spring 1973); includes Karen Cox; paperback, 96 pages, 25 cm., 0/10]
COX, RENEE
"Renee Cox." Contact Sheet #91 [1997], pp. 2-5. [Filed under Contact Sheet series]
CRAN, MARION DUDLEY [1879- ]
Marion Cran. The Garden of Experience. London: Herbert Jenkins, Limited, [n.d.] [Fifth printing; photographs by the author; hardback, 316 pages, 22 cm., 7/35]
Marion Cran. The Gardens of Good Hope. London: Herbert Jenkins, Ltd., 1927. [Second printing; photographs by the author; hardback, 326 pages, index, 22 cm., 5/25]
Marion Cran. The Garden of Ignorance: The Experiences of a Woman in a Garden. London: Herbert Jenkins, Ltd., c.1931. [8th edition of c.1911 title; photographs by the author; hardback, 280 pages, index, 19 cm., 5/25]
Marion Cran. Gardens in America. New York: Macmillan Co., 1932. [First edition?; photographs by the author; hardback, 320 pages, index, 22 cm., 4/25]
Marion Cran. The Story of My Ruin. London: Herbert Jenkins Ltd., [c.1932]. [Second printing; photographs by the author; hardback, 320 pages, index, 21.5 cm., 5/25]
Marion Cran. Hagar's Garden. London: Herbert Jenkins Ltd., 1941. [Second printing; photographs by the author; hardback, 288 pages, 21.5 cm., 5/25]
CRANE, BARBARA [1928- ]
Barbara Crane Photographs 1948-1980. Tucson: Center for Creative Photography/ University of Arizona Press, 1981. [Paperback; essays by Estelle Jussim and Paul Vanderbuilt; 124 pages, 22.5 cm., 10/40]
CREATES, MARLENE
Marlene Creates. The Distance Between Two Points is Measured in Memories, Labrador 1988. North Vancouver, Canada: Presentation House Gallery, 1990. [Text in English and French; paperback, 60 pages, 20.5 cm., 10/35]
CRISLER, LOIS
Lois Crisler. Artic Wild: Photographing Wolves and Caribou in the Remote Mountains of Alaska. New York: Harper & Brothers, 1958. [Modified reprint of 1956 version originally published by the Curtis Publishing Company; foreword by A. Starker Leopold; hardback, 302 pages, 22 cm., 10/30]
CROCIANI, PAOLA
Bedouin of the Sinai. Reading, England: Garnet Publishing Company, 1994. [First English edition; hardback, 120 pages, 28 cm., 8/35]
CROFFORD, AVA ATKINSON [1915- ]
Ava Crofford. The Diamond Years of Texas Photography. Austin, Texas: published by the author, 1975. [First edition; hardback, 336 pages, 22.5 cm., 25/50; filed under "Texas"]
CRONAR, MARJORIE
Marjorie Cronar. Fabric Photos. Loveland, CO: Interweave Press, 1989. [First edition; paperback, 92 pages, index, 23.5 cm., 8/25]
CROSS, MARY
Mary and Theodore Cross. Behind the Great Wall: A Photographic Essay on China. New York: Atheneum, 1979. [First edition; hardback, 132 pages, 32 cm., 12/20; oversize]
CROWTHER, DAWN-STARR
Mary L. Jobe Akeley. Tempe: AZ: History of Photography Monograph Series #24, School of Art, Arizona State University, Winter 1989. [0/20]
CRYOR, CARY BETH [1947- ]
Visual Griots: Works by Four African-American Photographers. Baltimore: Albin O. Kuhn Library & Gallery, University of Maryland, 1996. [Exhibition catalogue; includes Cary Beth Cryor; paperback, 30 pages, 25.5 cm., 0/20]
CULVER, JOYCE [1947- ]
Sally Eauclaire. The New Color Photography. New York: Abbeville Press, 1981. [Includes Joyce Culver; first edition; paperback, 286 pages, chronology, 23 cm., 20/75; filed under collections]
CUMMING, BLANCHE
The Rubaiyat of Omar Khyyam. New York: Dodge Publishing Company, 1905. [Illustrated by Adelaide Hanscom and Blanche Cumming. At least two variants exist: A) photos on tissue; and B) photos not on tissue.] [6 copies; first edition; 200 pages, 26 cm.: 1) w/o tissue, 50/125; 2) w/o tissue, 85/150, in archive box; 3) w/tissue, 60/250; 4) w/tissue, 100/250, in archive box; 5) w/tissue, 20/250, in archive box; and 6) w/tissue, disbound in archive box; all are filed under Adelaide Hanscom]
The Rubaiyat of Omar Khayyam. New York: Dodge Publishing Company, 1912. [28 tipped-in photographs (hand-colored) by Adelaide Hanscom and Blanche Cumming.] [3 copies; 200 pages, 26 cm.: 1) 85/250, in archive box; 2) 60/250, in archive box; and 3) 125/350 (deluxe binding), in archive box; all are filed under Adelaide Hanscom]
CUNNINGHAM, IMOGEN [1883-1976]
Edna Tartaul Daniel. Imogen Cunningham Portraits, Ideas, and Design. Berkeley: Regional Oral History Office, University of California, 1961. [Hardback, 215 pages, index, 28 cm., 85/125]
Imogen Cunningham Photographs 1921-1967. Palo Alto: Department of Art & Architecture, Stanford University, 1967. [2 copies; exhibition catalogue; first edition; paperback, 26 pages, 18.5 cm., both 1/35]
Imogen Cunningham: Photographs. Seattle and London: University of Washington Press, 1970. [First edition; introduction by Margery Mann; hardback, 96 pages, chronology and bibliography, 27 cm., 25/75]
Imogen! Imogen Cunningham Photographs 1910-1973. Seattle and London: The University of Washington Press, 1974. [Index of Art in the Pacific Northwest #7; first edition; introduction by Margery Mann; hardback, 112 pages, 28.5 cm., 10/35]
After Ninety: Imogen Cunningham. Seattle: University of Washington Press, 1977. [Second printing; introduction by Margaretta Mitchell; paperback, 112 pages, 30.5 cm., 10/30; oversize]
Imogen Cunningham: Original Photographs Offered by The Imogen Cunningham Trust. Berkeley, CA: The Imogen Cunningham Trust, 1978. [Sales catalogue; paperback, 16 pages, 30 cm., 5/35]
Judy Dater. Imogen Cunningham: A Portrait. Boston: New York Graphic Society, 1979. [First edition; hardback, 192 pages, 28.5 cm., 15/50]
Two Dogs +. Sausalito, CA: Deer Creek Press, 1984. [First edition; photographs by Imogen Cunningham; text by John Carden Campbell and drawings by David Richardson; paperback, 98 pages, 27.5 cm., 6/35]
Meg Partridge. Portrait of Imogen. Valley Ford, CA: Pacific Pictures, 1987. [28-minute video tape, black and white; 20/25; archive box]
Seeing Straight: The f.64 Revolution in Photography. Oakland, CA: The Oakland Museum, 1992. [Includes Imogen Cunningham; exhibition catalogue; first edition; paperback, 158 pages, biographies and index, 30 cm., 0/35; filed under collections]
Amy Rule, (ed.). Imogen Cunningham: Selected Texts and Bibliography. Oxford, England: Clio Press, 1992. [First edition; hardback, 196 pages, 25.0 cm., 0/95]
Imogen Cunningham: The Modernist Years. Tokyo: Treville Company, 1993. [First edition; essay by Richard Lorenz; text in English and Japanese; hardback, 72 pages, 21.5 cm., 37/45]
Richard Lorenz. Imogen Cunningham: Ideas Without End. San Francisco: Chronicle Books, 1993. [First edition; hardback, 180 pages, chronology, bibliography and index, 25 cm., 35/45]
CUSTIS, ELEANOR PARKE [1898-1983]
Ships and Water. Philadelphia: David McKay Company, 1938. [First edition; compiled and edited by Alfred A. De Lardi; arranged by Heyworth Campbell and foreword by Joseph C. Lincoln; spiral bound, 98 pages, 30 cm., 2/95]
Eleanor Parke Custis. Composition and Pictures. Boston: American Photographic Publishing Co., 1947. [2 copies; hardback, 224 pages, 28 cm., both 35/75; one in archive box]